C . Pearcy
Fri, 14 Dec 2007 03:17:12 -0800
I think the idea of the single 11th course was possibly transitional - to make a 10c into an 11c set up with single second course, leaving another single for the 11th. My understanding was that this 11th course was an 8ve and not a bordon. Cheers Chris Rob <[EMAIL PROTECTED]> said: > Thanks Theo and Anthony, > > Yes, these gimped strings are new to me, the Pistoys too. So it's not just a > case of getting used to 11 courses and new repertoire, but new strings also. > I will doubtless experiment a bit over time, but gut basses are expensive! > I'd love to hear your Andy Rutherford 11c, Theo, and Anthony's Gottlieb when > it arrives. Mary Burwell said the French fashion was for a single 11th > course - I might try that with a thicker fundamental. > > I'm probably finished recording for the moment, but might take you up on the > idea of recording the same piece in a couple of months, just to see what > differences there are. > > Rob > > www.rmguitar.info > > > > -----Original Message----- > From: T. Diehl-Peshkur [EMAIL PROTECTED] > Sent: 14 December 2007 10:41 > To: [EMAIL PROTECTED]; baroque-lute@cs.dartmouth.edu > Subject: [BAROQUE-LUTE] Re: new sound file for 11c > > Hi Rob, > Thanks for the link, very nice! > >From my own experience, I picked up my Andy Rutherford 11 course about a 2 > months ago, all gut, with gimped basses > from Larson. > The basses developed quite dramatically in the first few month- especially > after working on them vigorously for some time. > I think it is a combination of the string developing as well as the > soundboard. > My suspicion is that in about a month or two, those basses of yours are > going to be quite different. > It would be fun to record the same piece again at that time to see what > happens! > Cheers, > Theo > > > From: Rob <[EMAIL PROTECTED]> > Reply-To: <[EMAIL PROTECTED]> > Date: Fri, 14 Dec 2007 10:19:14 -0000 > To: <baroque-lute@cs.dartmouth.edu> > Subject: [BAROQUE-LUTE] new sound file for 11c > > I've made an mp3 of the Chaconne in Am by de Visee with my right hand little > finger resting on the bridge. This technique is depicted in a number of > paintings and seems to work well with all-gut strings. I once tried it on a > lute strung in nylon and it sounded quite poor. I think it works well with > gut, so might try to adopt it as my 11c technique. On the other hand (not > literally) the famous painting/engraving of Mouton has his hand a little > further from the bridge with little finger on the sound board, but still > nowhere near the rose. > > > > The gimped strings seem to have settled. > > > > Here it is: http://www.rmguitar.info/Maler.htm - scroll to the bottom of the > page. > > > > Man, I love this lute! Please excuse all this sudden enthusiasm! > > > > Rob > > > > www.rmguitar.info > > > > > > > > > -- > > To get on or off this list see list information at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > > > > -- > > > > --