ronan
Fri, 22 Jul 2005 07:04:28 -0700
I don't know about "staging", but didn't Daniel Spreadbury work for Sibelius at one time? To add insult to injury, Lora Creighton is using an ancient version of Finale--which leads me to wonder what kind of engraving experience she has. Or any of them, for that matter. The whole thing is just too amateurish--both in the people selected to use the programs and in the organization of it--to take seriously.
Best, Ron Ronald J Brown PO Box 138 Newboro ON K0G 1P0 (613) 272-3181 http://www.RonaldJBrown.com -----Original Message----- From: Johannes Gebauer [EMAIL PROTECTED] Sent: July 21, 2005 5:00 PM To: finale@shsu.edu Subject: Re: [Finale] notation program comparison The comparison does make me wonder though: Wouldn't a real comparison where experts with each software work by strictly copying one or more sources of real published music be long overdue? Some time ago (years I guess) we had this kind of thread as well, where I believe Sibelius staged a kind of competition, but ended up with a rather poor result for their own software and quickly withdrew the results. I don't think cautionary accidentals have anything to do with this, by the way. I'd volunteer to do this kind of competition, if it is limited to no more than two or three pages. Johannes -- http://www.musikmanufaktur.com http://www.camerata-berolinensis.de _______________________________________________ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale