Roman Turovsky
Thu, 19 Jun 2008 08:22:26 -0700
From: "howard posner" <[EMAIL PROTECTED]>
Which could be too far from ET, considering the number of key an opera or an oratorio goes through. A violin sonata by Georg Muffat modulates enharmonically from D major to Bb major. There goes meantone out the window. RTMy opinion and conclusion so far remains that no dogma will ever prevail in that field, and no theory, as attractive as it may be, will ever reconcile what was has, after all, never been reconciled by our predecessors in the 16th - 18th centuries.Perhaps more accurate to say our predecessors doubtless resolved tuning questions in different ways, just as we do. There must have been, for example, a standard Dresden court orchestra way to tune or Hamburg opera way to tune.
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