Roman Turovsky
Fri, 26 Sep 2008 13:37:18 -0700
http://en.wikipedia.org/wiki/Musical_Hoax RT From: <[EMAIL PROTECTED]>
So is outright stealing and piracy.Presenting contemporary works as historical is along tradition in the music biz--The program notes to a recent Naxos recording ofPonce's solo guitar music recounts this episode. Segovia was merely trying to keep up with the other international virtuosi of the dayYes, Fritz Kreisler was another famous one. We can chuckle about it now, remembering what colorful characters the big names of yesterday were. But it was horribly irresponsible even in those days. From a musicological standpoint, such stunts could potentially waste countless hours as researchers try to track down sources that don't exist. This is a serious issue. (In Ponce's case, musicologists _should_ have picked up on the stylistic discrepancies immediately, but I suspect they simply weren't paying attention to what was happening in the guitar world.) From the listener's standpoint, such behavior on the part of performers is disrespectful to say the least. Ponce/Segovia/Kreisler, et al are free to use whatever nom de plume of their own invention that they so choose. I've done it myself with a couple of my compositions. When they compose, perform, publish and record music under the name of a (long dead and safely un-litigious) musical giant, however, they are intentionally misrepresenting themselves by riding on the coat tails of another's reputation.Chris
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