Erik Bruchez
Mon, 24 Feb 2003 00:14:41 -0800
1. Thanks to Christian Zwarg, the missing vocal excerpts from the 1914 Fonotipia recording sessions of Parisina are now available online! The missing excerpts were:
"O fiore di mia vita"
"Giungesti in punto"
"Mercé, Maria! Mercé"
"Ah, serra ancóra"We now know, from the Fonotipia ledgers, that the recording sessions took place in mid-to-late April 1914 (we actually know the exact date for each session). Mascagni is confirmed as the conductor of five orchestral excerpts recorded on April 30. He probably also conducted the vocal sessions. One of the orchestral excerpts, "Canto dell'usignolo", is available on the Web site. Two other excerpts, "Offerta alla Madonna" and "Delirio di Parisina", are documented. I should get information about the remaining two pieces soon. The music for four of the orchestral pieces is still missing from the puzzle!
I recommend "Meglio campar la vita in arme", "Vittoria!" and "Vogliate qui sedere" to get an idea of the power of Alessandro Dolci's voice. How lucky we would be to have a voice like his today!
If you don't want to download the music from the Web site, Christian offers a CD-R version of these excerpts.
2. Two new scores have been added. First, a score of the Ave Maria adapted from the intermezzo of Cavalleria Rusticana, Italian words by P. Mazzoni, English words by F. E. Weatherly. This American edition is not dated, but I guess it is from the early 20th century, if not the late 19th century. Second, "He loves me... loves me not" or "M'ama... non m'ama", English version by G. Henschel, copyright 1892. This is a European edition. Both scores are available here:
http://www.mascagni.org/works/aveintermezzo/recordings http://www.mascagni.org/works/mama/recordings
The first one is a colored engraving showing Mascagni's arrival in New York in December 1902:
The following postcard shows two dedications of Mascagni to the Santuzza of the American tournee, Elena Bianchini-Cappelli, made in New York and Boston in late 1902:
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