Dear Meghan,

We have a very substantial photographic archive here at the Worcester Art 
Museum.  Through previous work experience, I established a retention standard 
for this material.  Once print copy is retained and one negative (if 
surviving).  For color transparencies, I retain the best ranked version deemed 
by the original photographer. I catalogue, scan it and dispose of the extras.  

We follow the philosophy here that this material is still worth retaining, but 
is crucial to be digitized so that continued exposure does not cause further 
degradation to the image. 

Does this help? 

Sarah L. Gillis, Assistant Registrar, Image Management

WORCESTER ART MUSEUM / www.worcesterart.org 
fifty-five salisbury street / worcester, massachusetts 01609
direct 508.793.4427 / general 508.799.4406  

-----Original Message-----
From: mcn-l-boun...@mcn.edu [mailto:mcn-l-boun...@mcn.edu] On Behalf Of Meghan 
Gross
Sent: Monday, December 19, 2016 11:30 AM
To: mcn-l@mcn.edu
Subject: [MCN-L] [Imaging SIG:] object photography on film

I'm writing to get a sense of what others are doing with object photography on 
film. I'm interested in the disposition of 4x5 color transparencies that serve 
as the photographic record of museum collections used in publications and other 
outward facing projects (not curator/registrar/conservation photography).

If there is a resource for this information already, please point me in that 
direction. If not, here are some questions:

- Do you actively digitize your film archive if no current (digital
capture) photography is available?

- Have you disposed of or downsized your film archive?
> If yes, what was the criteria for disposal or retention? And, how did 
> you
dispose of the film? (destroy, offer for re-use, move offsite ?)
> If no, what was your reasoning for retaining the film archive? 
> (Obvious
reasons are collection history/photographic record)

Thank you,
Meghan

Baltimore Museum of Art
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