Kulturni dom Nova Gorica Pixxelpoint 2007, 8. mednarodni festival novomediske umetnosti / 8th International New Media Art Festival
Poziv k prijavam / Call for proposals http://www.pixxelpoint.org/greendesert.html Slovensko (english below): Tema: Zelena puscava Film Nostalghia (1983) Andreja Tarkovskega se zaključi s slavnim travalingom kamere, ki razkrije postopno prehajanje filmskega prostora iz podobe ruske pokrajine z glavnim junakom v okvirjajočo se podobo notranjosti toskanske cerkve. Zanjo se v tretji fazi nepretrganega posnetka izkae, da je brez strehe in odprta za vremenske vplive, saj se prizor sklene s sneenjem v tem hibridnem interjerju-eksterjerju. Drugi primer je reklamna kampanja podjetja Diesel Global Warming Ready (2006) s podobami prostorskih kolaev, npr. Gore Rushmore kot obmorske pečine ali pa prizora barvitih tropskih papig v Benetkah namesto letečih podgan. Sicer zelo različni konkretizaciji zdruuje skupna tema, povezava dveh, na prvi pogled nezdruljivih prostorov na enem mestu. Posledica tovrstne prostorske katahreze pa je praviloma razkritje specifične drubenopolitične problematike, ki je lahko kompleksneja, kot v primeru raziskave razmerja med ruskim razumevanjem ivljenjskega sveta in zahodnjakim, ki ga predstavlja Toskana pri Tarkovskem, ali pa le na pol resna, kot v reklamni kampanji, ki eli ozavečati globalne javnosti o problematiki varstva okolja s podobami okantnih in obenem privlačnih ekosistemov, ki so e zdavnaj padli iz ravnovesja. Tema Pixxelpointa Zelena pučava se nanaa torej na kontroverzno povezavo nečesa sicer lepega vendar obenem mrtvega, s pozitivnimi pomeni zelenine, ki je v pučavi seveda ni. English: Pixxelpoint 2007 is looking for proposals for new media installations and software art for the given theme "Green Desert". Andrei Tarkovsky's film Nostalgia (1983) closes with a renowned travelling camera shot that gradually traverses the film space, tracking from images of Russian landscape in which the protagonist is framed to a final image of the interior of a Tuscan church. In the third phase of this uninterrupted shot, it can be seen that the church has no roof and is exposed to the influences of weather. The shot concludes with snow falling in a hybrid of interior and exterior. Another example of such hybrid style can be found in the Diesel Company's advertising campaign Global Warming Ready (2006) which features images of spatial collage: for example, Mount Rushmore as a coastal cliff, and a Venetian scene in which colourful tropical parrots replace the ubiquitous pigeons. These very different visual effects combine a common theme: the association of two seemingly disassociated spaces in one place. The consequence of this type of catachresis is the revelation of specific socio-political problems that can be either complex, as in the example of the differing states of Russian and Western understanding of life found in Tarkovsky's Tuscany, or half-serious, as in the example of the advertising campaign that wants to increase the global public awareness of environmental protection issues using shocking and attractive images of various ecosystems that have fallen out of balance. The theme of Pixxelpoint's Green Desert refers to the controversial linkage of something beautiful and dead at the same time, the positive connotations of greenness combined with its absence in the desert. There is of course a way out of this quandary, though one solution remains limited to virtual technically-simulated reality. data limita: 15/10/07 Kontakt: Kulturni dom Nova Gorica Pixxelpoint 2007 5000 Nova Gorica Slovenija tel: +386 5 335 40 15 [EMAIL PROTECTED] http://www.kulturnidom-ng.si/ sursa:artservis -- Moldova Young Artists Association "Oberliht" skype: us.vladimir http://www.oberliht.org.md . . . . . . . . . . . http://idash.org/mailman/listinfo/oberlist portal informational pentru arta si cultura din Moldova information gateway for arts and culture from Moldova
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