Re: [Tango-L] Leading with arms or hands
Re: [Tango-L] Leading with arms or hands There is absolutely nothing wrong with using one's arms or hands to help lead a figure. What often is wrong is HOW some people use those - as a primary lead rather than a seconary "helping" one. There is a hierarchy of leads. Most important is the upper torso, for overall direction in which the couple is to move, and to begin turns. Arms supplement this. For instance, if the man adds a few double- or triple-steps to the basic slow-slow rhythm. He would tighten his embrace noticeably to indicate she should duplicate his rhythm change. Or loosen his embrace (or even back off from a close connection) so that she will know to continue the basic rhythm. Hands should be used sparingly, but only novices claim they should never ever be used whatsoever. An example where they are needed is in leading a parada. A usual parada opens the embrace. The man's right hand or lower arm presses against her back to stop her. His left hand pushes lightly against her right hand in opposition to the lead on her back. The two lock her into the stop. A foot lead is sometimes used with the parada. It is unneeded if the parada is properly lead. Teaching it may do more harm than good if it takes attention away from leading it properly. Foot leads are the main leads for some movements. Sacadas are an example. Though I find it better to use my mid-ankle or mid-thigh (but never one's ankle or knee - they are too hard). I can lead closer to my partner's body and don't need to look down to be sure my foot is placed properly. (Speaking of looking down. The man should not tilt his head. This throws his center of gravity forward when it would better be centered in the middle of his torso. Also, it cuts down his peripheral vision.) Larry de Los Angeles Visit the Big Apple. Click here for information on vacation packages and tickets. http://thirdpartyoffers.juno.com/TGL2131/fc/Ioyw6iifkbm80Pj3IpSwIa2nSMB8wisyuEQjJX0kqoNj4hXokgHp9g/ ___ Tango-L mailing list [email protected] http://mailman.mit.edu/mailman/listinfo/tango-l
Re: [Tango-L] Leading with arms or hands
> I always wondered what is wrong with a well executed lead > done utilizing or invoving as a complement other body parts > than the torso. > > Do you have an opinion in this respect? > > Notice that I said "well executed" lead. So > please do not include 'bad habits' of people that do > not know how to lead. > On placing my arms and hands in different places: Early on, I had a very stiff torsoe. Some very valuable instruction was to place my hands and arms on various places on my follower's body. This worked wonders to free my mind from doing everything the same way all the time. Imagine, for example, placing your right hand on her left shoulder. Lead from your center, but, notice how much more aware you are of yourself and of her motion. On leading with my belly: My left foot has been hurting for years, now. At times, I will take one dance and let my belly be the connection point. Now, I am thin, so, I have to go out of my way to make it more pronounced. But, (1) it takes a lot of pressure off my foot and (2) my partner loves the change. Actually, it makes me more aware of leading a more dramatic molinete. ___ Tango-L mailing list [email protected] http://mailman.mit.edu/mailman/listinfo/tango-l
