Rasa Smite
Wed, 05 Aug 2009 02:01:27 -0700
CALL FOR CONFERENCE PROPOSALS:- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
The 6th European Meeting of the Society for Literature, Science, and the Arts http://www.e-text-textiles.lv/SLSAeu2010/home.htm Submission of abstract (300 words): 16 August 2009- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
The SLSA-EU 2010 conference is dedicated to exploring fabrics, structures, surfaces, and interfaces in a world that has been transformed to a large extent through technoscience and networked media. This transformed world is highly textured, partly through verbal and non-verbal 'texts' but also by mixtures of human-made and given environments whose complexity offers resistance to symbolic readings.
Through the term, 'textures,' we aim to bring together transitional figures of thought in many fields:
* in literary criticism: the movement from the material signifier to meaning, affect, and communication;
* in the arts: the well-known 'resistance in the materials';
* in cognitive science: the transition from the neuronal to the mental;
* in a textile: the construction of cloth and the surfacing of a
pattern from the interwoven material threaded lengthwise (warp) and
widthwise (weft);
* in painting: the emergence of a whole through the patterning of
smaller elements; the presentation of an 'all over' composition in a
series of canvases;
* in sound art: the blending of running water or traffic noise
into a continuous sonic structure;
* with regard to the body: the perpetual becoming-other of an
allegedly fixed and bordered identity;
* the 'fold' in Deleuze; the 'tissue of quotations' in Barthes,
the 'weave' in Derrida, the feminist spider's embodied writing of
gendered subjectivity, and other materialist readings of familiar
poststructuralist conceits;
* etc. (please send us your ideas)
The list is meant to be suggestive, not restrictive, of the range of
interests we hope to accommodate. As the conscious embrace of
constraints - in science, literature and the arts - , can be
productive not narrowing, so is our theme designed to be generative
and to stitch together the diverse theoretical and transdisciplinary
approaches that have long defined SLSA research.
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Stream: Networks and SustainabilityChairs: Rasa Smite (director of RIXC, The Center for New Media Culture, Riga) and Armin Medosch (media artist, writer and curator, Vienna and London)
This stream will interrogate the complex relationships between " network technology" and " network society", in order to reveal the multilayered texture of networks and to consider what potential network culture contains for sustainable development in technological, social and cultural fields. After the initial privatisation of the net in the 1990s, there was a wide-spread believe that the decentralized structure of the net would remodel society. The contrary has happened and the net has come under ever more closer corporate and state control. Yet, while some of the techno-utopian ideas of the 1990s failed, many important developments have been made which were rooted in the network culture of those days. In order to take steps towards a sustainable network culture a deeper analysis of many of its facets is now demanded. Taking stock of progressive and innovative developments in network culture, we are asking:
* Which approaches exist for sustainable and social development of technologies (merging communal and technological developments)?
* Which projects are underway to address the alternatives of energy use and other environmental issues (stemming from ICT)?
* In which ways have alternative networks been able to create and maintain own network infrastructures (regarding server hosting, bandwidth, wireless and wired community networks, etc.)?
* What can artists learn from FOSS (Free and Open Source Software) communities and vice versa?
* In which ways has network culture already transformed the ways artists, curators, art historians and the audience "work" together? And which alternative models for dealing with authorship rights and collective authorship exist?
* Which (artistic) strategies have been successfully used for purposes of resistance, social transformations, development of autonomous and sustainable structures?
For this stream, we welcome papers by researchers, media theorists, social scientists, network activists and artists, who are engaged with the issues of sustainable development, ecological and alterantive uses of new technologies, social networking and social software development, etc.
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You can also submit proposals for other streams - please check out the SLSAeu website:
http://www.e-text-textiles.lv/SLSAeu2010/home.htm best regards, Rasa Smite RIXC.LV ______________________________________________ SPECTRE list for media culture in Deep Europe Info, archive and help: http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre