Gudrun Polak
Sun, 28 Sep 2008 19:50:46 -0700
tabletweaving> List-Unsubscribe: <mailto: [EMAIL PROTECTED] tabletweaving> List-Help: <http://hem.bredband.net/ronpar/twinfo.html> List-Owner: <[EMAIL PROTECTED]> List-Software: "Majordomo, version 1.94.3" List-Id: "Tabletweaving Mailing List" <tabletweaving.70052952.0499.x> Sponsored by TWIST - Tablet Weavers International Studies & TechniquesThank you, Peter. It's good to know that somebody is thinking about "my" problems. Your examples help, but I still need to think about it.
When I give my introductory presentation about card weaving I start out by telling people that card weaving is so interesting because there is magic in the cards. I "prove" it to them and then, in the course of the presentation explain what is going on. However, there are times when I believe in the magic myself.
Thanks again, Gudrun peter collingwood wrote:
Interesting question, Gudrun. I see I gave a rough rule on P 120,viz: "At a diagonal boundary between areas of opposite twining, it is the area whose twining is parallel with that boundary which is raised. So in the bottom half of Fig 103, it is the background which is raised and in the top half it is the diamond itself which is raised." I suppose this is telling you where to expect the raised edge, but not why there is a raised edge! I found that this effect was more marked with only two threads per tablet, because here the twining direction of a cord is reversed moresuddenly; see plate 79.I think of it like this. Imagine a simple narrow band woven entirely like top right-hand half of the background. If you held up this unbalanced band when woven, it will want to twist on itself in S direction. Similarly a band woven entirely like top righthand half of diamond will want to twist on itself in Z direction. So isn't the difference in level just where those two opposing twisting tendencies meet? Peter Collingwood Send private reply to "peter collingwood" <[EMAIL PROTECTED]>
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