vihuela  

[VIHUELA] for example

bill kilpatrick
Sat, 26 Jan 2008 10:28:00 -0800

here's a goodie:

http://www.youtube.com/watch?v=3F4uEOOLnwU

bill kilpatrick <[EMAIL PROTECTED]> wrote: the guy playing here might have some 
interesting contributions:

http://www.youtube.com/watch?v=3QOzR9ZUj-w

. he's posted a few others as well (brave soul.)

"charango as vihuela" is dead in the water with you guys but the vihuela 
repertoire mentioned at the outset (the "magnificent seven" as rob called them) 
are being to appear on youtube of late, played on those close relations of the 
vihuela found in south america.  the technique and the passion for the 
repertoire is  in most cases the same ... if the intent is to open-up 
discussion and increase interest, why not include baroque jaranas, medianas, et 
al.?

- bill

EUGENE BRAIG IV 
 wrote: ----- Original Message -----
From: bill kilpatrick 
Date: Saturday, January 26, 2008 10:36 am
Subject: [VIHUELA] Re: contributions to this list

> unnhhhh ... arrrghhhhh ... uunnnhhhh ...
> 
> seriously, i suspect there will be more contributing to the list 
> if those involved in the wider vihuela tradition were encouraged 
> to do so.  the nuance and understanding of a player born and 
> raised in this tradition will surely have a positive, lively 
> effect on all - no matter what their vihuela might be called.

At the heart, these Dartmouth lists are focused on early music and/or early 
instruments or reproductions of known early instrumental concepts.  I don't 
think there's any resistance to discussion that intersects either old 
instruments (like chitarrino, gittern, citole, or anything else 
not-quite-vihuela of a known period provenance) or early music (like Le Roy, 
Mudarra, de Murcia, Canova da Milano, etc.).  I suspect Mudarra on charango or 
post-Piazzolla Argentine tango on a deliberate reproduction of medieval citole 
iconography would probably draw a small amount of insightful response.  
Certainly, your early discussions of the conceptual origins of charango drew a 
great deal of conversation.  It only stalled after it was continuously recycled 
and drifted from direct connection to extant early instruments.

I really enjoy things like your Burns settings on charango, Bill, but 
discussion of them here isn't necessarily any more on-topic than most of what 
goes down on that wacky Yahoo "Fretted Friends" list.  There are, of course, 
places where such chat is more at home.  I don't discuss modern mandolin or 
guitar music here, although I am really involved with such stuff.  Rather than 
sullenly stew upon what this list isn't, I carry those topics to where such 
chat is more at home.

Best,
Eugene



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