Stuart Walsh
Mon, 28 Jan 2008 11:05:26 -0800
Monica Hall wrote:
Hi StuartPleased to hear you are still plucking away at Foscarini! I think you are right about the rhythm and barring. However I think you are playing the piece too fast. It is a passacaglia after all and it sounds rushed in places. The strummed chords on line 3 would be more manageable at a more moderate tempo.
I tried playing it slower and it really drags. I think the piece needs a lot better technique than I've got. I imagine that players of the time got very fast with their chord changes.
Also it depends a bit on how you strum. I strum with my fingers, not my thumb which is what some of the books say you should do. (I can't strum with my thumb anyway as I cut the end off it many years ago and this rather cramps my style). If you use you fingers then you don't need to more your right hand so far away from the strings.I'm glad you tend to agree with me about the strum marks. These serve a dual purpose. They are almost the equivalent to putting in the note value for every note, instead of only when these change - as in some lute tablatures. This is also why he puts in the dots. Originally, in Colonna and F's earlier book these did indicate the duration of the notes (rather erratically).This piece was discussed some time ago and I don't think that you are supposed to e.g. include open courses in all the chords willy nilly because there is a stroke mark.I think Tyler's comments about Foscarini being daring and original is based on a misconception. On the whole his musical language is quite conservative.
It's interesting listening to Tyler's performances of Foscarini on his old Saga recording. I think of James as a very cheery sort of bloke but he plays Foscarini with surprising intensity. He mostly plays the pieces very slowly. Too slowly, I think. Even the slightly more upbeat, strummed 'Folia' seems worried!
Stuart
Foscarini's notation is innovative, but inconsistent. Monica
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