bill kilpatrick
Thu, 03 Apr 2008 13:58:32 -0700
it's been well over 24 hours now and no has said "it's not a= vihuela!" hip-HIP-hooray! http://www.youtube.com/profile?user= =3Dbillkilpatrick --- On Wed, 2/4/08, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote: From: [EMAIL PROTECTED] <[EMAIL PROTECTED]&g= t; Subject: [VIHUELA] Building my second instrument - my first vihuelaTo: vihuela@cs.dartmouth.edu Date: Wednesday, 2 April, 2008, 3:21 PM Hi fellow 'vihuelistas', I'm an amateur musician playing = tenor and bass-viol (a 'modern' descendant of the vihuela de arco...)= with a special liking for spanisch renaissance music. About 2 year= s ago by performances of peruvian/bolivian baroque music (bij the ensqmb= le Musica Temprana www.musicatemprana.com) and others I got the urge to ge= t engaged in plucked stringed instruments. After some time I decided to = build my first instrument: a 4 course guitar from a design of Sebasti=E1= n N=FA=F1ez (after Morlaye). The 4 course guitar proved to be a good cho= ice. Its construction (in my case carved from solid maple) is not to cha= llenging and the resulting instrument is not to hard to put to use. A= fter the small guitar I recently finished a larger sister: a vihuela. Li= ke the guitar it is carved from the same maple. (sting length 59 cm. G-t= uning) For those who are interested some pictures of the instrument and = the buildingprocess are available on my weblog http://guitarra-renace= ntista.blogspot.com/ It's in dutch. You can trie an atomated transla= tion to (a somewhat peculiar form of) english: http://translate.google.com/translate?u=3Dhttp%3A%2F%2Fguitarr= a-renacentista.blogspot.com%2F&langpair=3Dnl%7Cen&hl=3Dnl&ie=3D= UTF-8 Waling P.S. I Liked the youtube fragments about the jar= ana. I'ts like seeing my guitar beeing put to use in Contemporary Mexico=