Stuart Walsh
Mon, 02 Nov 2009 15:05:53 -0800
Monica Hall wrote:
There is a very amusing cartoon about the re-entrant tuning in the latest issue of Early Music Review. I hope I am not infringing their copyright! But I have put it on my [1]www.earlyguitar.ning.com page for the benefit of people who don't see this particular journal. Monica --
Nice joke. I'm still worrying about it! Actually, maybe, it's not re-entrant tuning per se that is the problem. In a way, fully re-entrant tuning is no problem. In fully re-entrant tuning, with both fifth and fourth up an octave, you just play and do the best you can.
The real anxiety (but, as you have often said, not for you, Monica) is having an octave and a bourdon on the fourth, or on the fourth and the fifth AND, as most people do, having the higher string in the position where the thumb naturally strikes it before the lower. Now there are possibilities - but not documented possibilities - possibilities to emphasise either the octave or the bourdon in different situations.
I was playing my guitar again today, with a bourdon on the fourth (a very corny, half-baked concept):
http://www.youtube.com/watch?v=BTAOV49TSKMand I feel I just have to - in this music - really, really try to make the fourth mainly a bass course.
Stuart
References 1. http://www.earlyguitar.ning.com/ To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html ------------------------------------------------------------------------ No virus found in this incoming message.Checked by AVG - www.avg.com Version: 8.5.423 / Virus Database: 270.14.45/2476 - Release Date: 11/02/09 07:51:00