vortex-l  

Re: [Vo]:The Science of Intention

Jones Beene
Tue, 03 Jun 2008 11:56:01 -0700

FWIW - and to rescue the subject of "intent" from the
more obscure realms of SciFi and try to shine some
light onto its deeper hidden meaning, consider the
film noir: "Dark City" ... 

...which Roger Ebert calls one of the greatest films
of all time. He even taught a University film school
class on this single film (choosing it as the focus
over such classics as Metropolis, 2001, Blade Runner
and Matrix). Trouble is- it is almost unknown, and
even dedicated film buffs missed it, or were
unimpressed ... until they get "the key."

I didn't understand this film either until the second
or third time, and wouldn't have given it another
viewing without having heard of Ebert's respect for it
and his film class. Very few film critics understood
the deep layered metaphor of "the strangers"... Not
even sure Roger gives it the emphasis it deserves.

Anyway- to cut to the chase, "the strangers" who seem
so ominous at first are not aliens, demons or confused
angles -- but they are hidden "controllers" in one
sense: an "intent" to change things for the better,
even if things do not always work out that way.

The strangers can be either good and evil, and just as
in the Matrix, we (as Neo) are never sure that
understanding our true nature was a pleasant call.
Perhaps the more we can hide our true nature, the
better - oops, shoulda taken the other pill ;-)

The strangers are us. 

All of us, or more specifically they are our true
identity and spiritual essence, which is not always
good, and like them, we "rebuild" our world every day-
or at midnight as the case may be. The world does not
literally stop and get rebuilt, as in the film but
that is the beauty of literary license. 

Even if you hated it the first time - watch it again
knowing the key, and try to imagine the grain of truth
which does operate in our real world, for better or
for worse... or at least in the world which we think
is our real one. i.e. do NOT get off on the 13th
floor.

Did I mention, the strangers are us?

Jones