if this is true (may not paying barnett),
it doesn't shock me to hear that may didn't pay barnett.
and it wouldn't shock me if may were behind the
fact that represses (of things he had collaborators help
him with) are now credited to solely may himself.
read the interview with octave one on cognition
(http://techno.ca/cognition) and lawrence burden
explains how may paid $0 (that's zero) of the money
owed the burden's for octave one's "i believe". this kind
of thing happens all the time in the music *industry* and
it disgusts me how so many of the artists i've been lucky
enough to interview have at least one tale or two about
being ripped off by someone they last expected to do so.
personally, a former room mate of mine sold 4 000 copies
of a single and he had to bug the label for payment. they
paid him a grand total of $40. that's right, $40 for 4 000
singles sold. i had a track on a compilation years back
and--to make a long story short--the label tried to tell
me i owed *them* money! i could go on and on, but won't.

Jason Birchmeier wrote:

> > speaking of derrick co-producing records. . . recall about a month ago
> > when someone posted to this list that one nite when derrick may was
> > spinning at temple someone (i can't remember the name) came up and spit on
> > may's record and (i think) removed the tone arm from the record.  i
> > later heard (although i can't attest to the source's validity) that this
> > person was jaded towards may because they produced music together back in
> > the day but may took all the credit and never gave any kickbacks.  can
> > anyone confirm or deny this?
>
> Sounded like a pretty wack story when I first heard it, but Real Detroit did
> write about it in their gossip column.  The week after, they explained the
> situation with May never giving Barrett the money he owed him from "Nude
> Photo."  I don't exactly remember the story perfectly, but I do remember it
> being about money.
>
> Still seems pretty damn juvenile to me.  And embarressing for both guys.
>
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