Not dubstep Micheal (though i am liking that stuff - some of the stuff
is just techno with a snare on the third kick great for old timers like
me to dance/dip a knee to). 

Im probably going back to 2002 at a guess. I should of said overproduced
rather than experimental. If you check the archive I seem to remember a
conversation with Tristan who pointed out a number of key releases
(People, GoodGood, Coop, NSM etc) which I checked and liked but stuff
after that was nowhere near as good and I kinda lost interest.

Rav

-----Original Message-----
From: Michael Elliot-Knight [mailto:michael.elliot-kni...@fallon.com] 
Sent: 07 May 2009 15:50
To: Mann, Ravinder
Cc: list 313; kent williams
Subject: RE: (313) Seiji? The hell?



Eh?  When did that happen to "broken beat"?  For the last five years
it's sounded more and more like straight up house/jazz music.

I'd love to hear the experimental introduced back in.  Are you thinking
of the dubstep sound maybe?

MEK

"Mann, Ravinder" <r.m...@leedsmet.ac.uk> wrote on 05/07/2009 06:01:12
AM:

> I like that a lot. Not kept my eye on Broken Beat since it went too
> skunked out and sounded like an experiment too far. Good link Kent.
> 
> Cheers.
> 
> Rav.
> 
> 
> -----Original Message-----
> From: kent williams [mailto:chaircrus...@gmail.com] 
> Sent: 06 May 2009 16:32
> To: list 313
> Subject: (313) Seiji? The hell?
> 
> 
> Seiji is a UK producer who has been all over the map stylistically,
> from Drum & Bass, to Broken Beat to who knows what.  He's started
> sporadically giving away tracks at http://www.seiji.co.uk/
> 
> Where you can get this track:
> http://www.seiji.co.uk/file_download/5/Ravin+A.mp3
> 
> which an insanely catchy track that is all over the place. 707 kick?
> Breakbeats? 303 Line? Detroit-style chunky piano chords?
> 
> It's cheeky to pitch all those elements into one track, but it's rare
> that it all hangs together this well.
> 
> 
> To view the terms under which this email is distributed, please go to 
> http://disclaimer.leedsmet.ac.uk/email.htm

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