Have you read the subsequent posts mate? A lot of people - including me - think 
the B side is the part that 'makes' the EP, and don't care much for the A track.

Dunno if that's what *you* mean. But that qualifies things somewhat.

As for the A side, I just don't hear 'emotion' or 'soul' there at all.

I hear digital, tinny and rather silly sounds [in fact]. OK, there's no harm in 
being light-hearted. But then it's a bit of a stretch to expect such 
superficiality of tone to be in any shape or form transporting. The track does 
nowt for me.

Musical perception is subjective - that goes without saying. I am surprised you 
like it so much though. [If indeed you are meaning side A and not side B].

kEN

-----Original Message-----
From: Robert Taylor [mailto:rdtay...@channel4.co.uk]
Sent: Tuesday, May 25, 2010 1:27 PM
To: Odeluga, Ken; 313@hyperreal.org
Subject: RE: (313) was DEMF prediction, now Oni Ayunn

Can you please explain then?


Rob Taylor
VT Librarian
x8599
Hatch Desk x1088
 VT Library Users' Guide

-----Original Message-----
From: Odeluga, Ken [mailto:ken.odel...@dowjones.com]
Sent: 25 May 2010 11:30
To: Robert Taylor; 313@hyperreal.org
Subject: RE: (313) was DEMF prediction, now Oni Ayunn

Well *I* find it soul-less.

That statement has meaning to me.

Wanna fight?

Ken


-----Original Message-----
From: Robert Taylor [mailto:rdtay...@channel4.co.uk]
Sent: Tuesday, May 25, 2010 10:20 AM
To: 313@hyperreal.org
Subject: RE: (313) was DEMF prediction, now Oni Ayunn

I also take exception to music being described as soul-less. What does that 
even mean?
I find it quite emotional if that's what's meant


Rob Taylor
VT Librarian
x8599
Hatch Desk x1088
 VT Library Users' Guide

-----Original Message-----
From: Greg Earle [mailto:ea...@isolar.dyndns.org]
Sent: 24 May 2010 20:35
To: 313@hyperreal.org
Subject: Re: (313) DEMF prediction

On May 24, 2010, at 11:15 AM, Frank Glazer <cpe1704...@gmail.com> wrote:

> I agree with you Ken to an extent, but like you said, nobody claimed
> that it was good, just that it could be big at DEMF this year.
> Honestly, though, even though i know it's simplistic soulless crap, I
> actually enjoy it quite a bit despite myself.
>
> On Mon, May 24, 2010 at 12:19 PM, Odeluga, Ken
<ken.odel...@dowjones.com> wrote:
>> I bought an online copy of that track.
>>
>> I don't know what the fuss is all about.
>>
>> To me it seems just like an old fashioned, run-of-the-mill [and off
the conveyor belt] 'minimal' thing.
>>
>> It's got interesting effects but the sounds are flat, cold and tinny,
and the whole thing is s quite soul-less and meaningless, even in our world of 
dance music,
>> in which the 'meaning' of music is opaque [at best].

If no one else will claim it's good I will!  It's a perfect summation of The 
Knife gone Techno, I think it's absolutely beautiful and where you could get 
"run-of-the-mill 'minimal'" out of it Ken, I don't know ...
did you forget to listen to side B? ;)

OAR003-B reminds me of a warm sunny day, you know, kinda like what you've had 
in London today :)

        - Greg

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