A13 was owned by a friend of mine Eddie, who lived in Southend on Sea in the 
South of the UK, and the main route getting to London from Southend is the A13 
and that's where the name came from, Eddie was really good mates with Mark 
Broom and the Plaid guys. I saw him at Lost with Juan, Derrick and Kyle Hall 
the other week losing his nut to Derrick's set and his still talking of 
starting another label, and a club.
He'll be very pleased people rate A13 as highly as Ifach. He told me once he 
still has loads of back cat unsold just sat around collecting dust.

Stuff I rate that no one else seems to;

Stasis and all the names he recorded under, but I really love the Paul W 
Teebrooke and Other world collective stuff
Lee Purkis/In-Sync
All the stuff on Ferox but the Russ Gabriel stuff is excellent
Electronic Industries / Octagon Man / Sem

Im not sure how over looked it was but the Norma Jean Bell LP- Come in to my 
room had some ace tracks on it, but the 2 for me are the ones co produced by 
K-Hand;
Nobody and Feel what I like. I think it was massively passed over in the UK


________________________________
From: benny blanco(r) [mailto:[email protected]]
Sent: 03 December 2012 18:36
To: kent williams
Cc: list 313
Subject: Re: (313) Ask 313

Okay, I'll bite.

I always dug the 'Obscure' Pure Plastic / A13 sounds from Mark Broom/Dave Hill 
camp in the UK from the 90's.
Not always 'detroit', but certainly techno.... and sometimes a nice downtempo 
breaky track in there too.

Some Other Label Faves.... Pacific Records and Ifach


benny blanco(r)
blancodisco.com<http://blancodisco.com>


On Mon, Dec 3, 2012 at 1:23 PM, kent williams 
<[email protected]<mailto:[email protected]>> wrote:
OK, now that we've established that lurkers know how to send e-mail to the list 
...

This is an idea for a mix I'd like to do.  Here's the question: What is your 
favorite techno that no one else seems to rate highly?

Extra points for being obscure.

What's my impetus?  I buy a lot of records at thrift stores and from crawling 
around in the crates on the floor at Dave's in Chicago.  I look for things that 
might be OK based on producer, remixer and artists.  So I have a lot of records 
that have decent to excellent tracks on them, that for one reason or another 
never got much enduring attention.

Since I can't crate dig in Detroit very often, I'm looking for those sorts of 
things, after which i can engage in Internet searchage.

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