on occasion i use the pitch shift effect if i really want to get the key perfect, but it can make it harder to hear whats going on...
ab [our arch enemies give it up] >-----Original Message----- >From: Jonny McIntosh [mailto:[EMAIL PROTECTED] >Sent: Tuesday, April 17, 2001 8:35 PM >To: Kent williams; [EMAIL PROTECTED] >Cc: [email protected] >Subject: Re: [313] DJ Mixing - keys - > > >If you can be bothered, you could dig out some old Mixmaster Morris mixes, >he used to do it a lot. As did a mate of mine in his Stockhausen and My >Bloody Valentine fusion period. Or try Spiritualized's "Take Your Time" >followed by Oscillator: one I used many a moon ago at a Sunday club I used >to play at to throw an expectant crowd. It's less mixing in key >than picking >out complementary, and usually single droning chords most of the time, >though. > >Jonny. > >> DJs who are able to mix things that are complementary tonally are >generally >> staying in one genre, where the tempos are fairly consistent. There >> are always happy accidents, where two records pitched 10% apart fall in >> the same key. >> >> I know a lot of tonedeaf DJs who will bring stuff in in the >worst possible >> clashing tonality though. ech.... > > > >--------------------------------------------------------------------- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > >
