It's so cool to hear someone talk about Jeff Lorber, he is among my favorites. I do a song in my live set that contains a JL break and it freaks the room. This past Saturday I played at the Motor, and the JL break song was the highlight of my set. I use to play guitar in a band called Jazzhead and spin JL between sets. His musical influence to me is right up there with Weather Report, Return to Forever, the Mahavishnu Orchestra, Jaco, etc.........(this is two messages in one) I think that E2-E4 was a huge influence on early Detroit Techno. Being a guitarist and an electronic producer from Detroit, I feel a certian connection to Manuel Gottsing(I don't think I spelled that right). About a month ago a friend sat me down to listen to E2-E4, and it blew my mind. While I was listening to it, I thought it was an old Detroit track I had never heard before, but it was actually this rock guitar player from Germany. I think this record came out in the early eighties.
john

From: Charles Prince <[EMAIL PROTECTED]>
To: Rhythm Droid <[EMAIL PROTECTED]>
CC: [email protected]
Subject: [313] Jeff Lorber...the Missing Link?
Date: Mon, 23 Apr 2001 18:57:32 -0400

Cool to hear someone else is into JL, a true muso's muso...though the further back you go with his releases, the better they get. In the late 70s & in the
80s he did some great, soulful stuff, full of intricate horn arrangements &
life-affirming, machine-driven jazz funk. I've often thought he might perhaps be an unrecognized influence on Detroit techno, never having received the kind of notice reserved for Kraftwerk, Depeche Mode, Herbie Hancock, YMO, etc., or
to a lesser extent, George Duke. His keyboard chops are phenomenal on these
early recordings, yet there's also a melodic, melancholic vibe, an unspoken
yearning present that lifts much of the material to a new, proto-techno level; that same moody feel you can hear, for instance, in Carl Craig's "Domina" remix
or Kenny Larkin's masterful "Without." Something about those chords...

A lot of it may be down to the equipment--trying to squeeze new sounds &
emotions out of circuitry that's only just up to the task. On his 1984
'Step by Step' album, Lorber lists: Yamaha DX1, KX1, DX7, Oberheim OB8, Xpander,
DSX, Emulator II, Cooper Midi Interface & Disk drive, Wave 2,3 Waveterm,
Rockman, Linndrum, Simmons, SDS7, SDS8, & Minimoog. The sounds & syncopated
rhythms (aided throughout by tricky panning techniques), remind me not only of May's classic material, but also of some of Hakan Lidbo's fresh 'Tech Couture' tracks. And "Step by Step," the title track, with Audrey Wheeler on lead vocals
--powered by a relentless, chunky synth bassline--finds a strong echo in
Recloose's wickedly deep'n'funky remix of Herbert's "Leave Me Now," as well.

Anyway, the best Jeff Lorber Fusion releases are pretty rare now, & his rather
bland-sounding recent output mostly lacks that techno-soul longing for the
ineffable. If you ever have a chance, though, take a decent listen (on a good
system), to "Pacific Coast Highway" off 'Step'...4'42" seconds of pristine
musical bliss that (re)maps mind & body into the sweetest of configurations.

Wes

On Sun, 22 Apr 2001, Rhythm Droid wrote:

> *Squarepusher- Port Rhombus (Warp)
> *Derrick May- Icon (Montage Mix?) (Transmat)
> *Aril Brikha- Read Only Memory (Transmat)
> *Aril Brikha- Groove La Chord (Tranmat)
> *The Jeff Lorber Fusion- Rooftops (Arista)
> *The Jeff Lorber Fusion- City (Arista)
> *Hi Tek 3 feat. Ya Kid K - Spin That Wheel (yeah, so shoot me, it's from my
> childhood
> *Ryuichi Sakamoto- BTTB
> *YMO- Yellow Magic Orchestra (?)
> *Model 500- Ocean to Ocean (Transmat Classics)
>
> somebody else on this list digs Jeff Lorber, too, who was that?


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