There are no rules. The only thing I find regressive, is when you use a
technology such as pro-tools or final scratch to emulate another technology.
To make mixes done on pro-tools sound like they where done on turntables
is limiting the ways we experience and perceive sound and music. We should
be using these technologies to push the framework of music and to find new
ways in which to experience it.
Jared Wilson
FTM Records
From: "Mad Wax" <[EMAIL PROTECTED]>
To: <[email protected]>
Subject: Re: [313] Global Underground series - HP-DJ mixing
Date: Wed, 9 May 2001 09:47:42 -0600
however, if a DJ has proved that he/she can carry a live mix (such as
hawtin, sasha, digweed, etc), I dont see a problem with a mix being touched
up with pro-tools, especially as these CDs are mass produced and the artist
in question I'm sure wants a "perfect" mix for the consumers purchasing it.
Thats a big difference then say, a DJ releasing a demo tape/cd done in pro
tools, getting booked and showing up without the skills to manage the
turntables.
mad wax | the vocode project | http://www.vocode.com
----- Original Message -----
From: <[EMAIL PROTECTED]>
To: <[email protected]>
Sent: Wednesday, May 09, 2001 9:29 AM
Subject: Re: [313] Global Underground series - HP-DJ mixing
> Y'know, I have a real problem with mix CD's like that. I though the
whole
> idea of a mix cd was to show some skills on the decks, not how much you
can
> pay someone to blend tracks with ProTools. It was a huge letdown when I
> heard that Richie's DE909 mix cd was done like this, like the guy can't
mix
> it live or something (he can).
>
> Someone might as well do an HP-DJ mix cd series. No one will know the
> difference.
>
>
>
>
>
> "tim maughan" <[EMAIL PROTECTED]> on 05/09/2001 10:20:13 AM
>
> To: "Bulger, Tim" <[EMAIL PROTECTED]>, "'Gwendal Cobert'"
> <[EMAIL PROTECTED]>
> cc: <[email protected]>
> Subject: Re: [313] Global Underground series
>
>
> whoaa...really? i nearly bought the darren emmerson one...i havn't heard
it
> but he usually plays a good set..so u saying he didn't mix that himself?
>
>
> ----- Original Message -----
> From: "Bulger, Tim" <[EMAIL PROTECTED]>
> To: "'Gwendal Cobert'" <[EMAIL PROTECTED]>
> Cc: <[email protected]>
> Sent: Wednesday, May 09, 2001 4:11 PM
> Subject: RE: [313] Global Underground series
>
>
> > The majority of the series is mixed via ProTools, with the DJ on the
> cover
> > only selecting the tracks. This can be verified by poking around on
> their
> > web site a little bit. The supposed exception to this being Tenaglia,
> and
> > possibly John Digweed. But if that doesn't bother you tremendously, I
> think
> > that all the Tenaglia and the Steve Lawler CDs are pretty good.
> >
> > -----Original Message-----
> > From: Gwendal Cobert [mailto:[EMAIL PROTECTED]
> > Sent: Wednesday, May 09, 2001 2:33 AM
> > To: [email protected]
> > Subject: [313] Global Underground series
> >
> >
> > > Danny Tenaglia's Global Underground Athens 2XCD :so dark, moody
and
> > > perfect...
> > BTW - I have always been intrigued by these series, they usually
feature
> DJs
> > I do not know or like, any other recommandations ?
> > Gwendal
> >
> >
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>
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>
>
>
>
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