NSC is National Sound Corporation, a pressing plant in Detroit that's been
central to the city's music industry for decades. I believe they were
pressing Motown records back in the day, and a lot of the P-Funk material
was pressed there. They noticed the techno explosion, and the main guy there
(forgot his name) gave Mad Mike and Jeff Mills the idea for doing locked
grooves - "I can't help but notice that a lot of this music you guys are
pressing these days is a bit... repetitive...", he said, tactfully, and
suggested that he cut a record so one beat just loops indefinitely. UR were
impressed, and from then on they used NSC to do all those weird
inside-to-out pressings and stuff like that.

Eventually NSC decided to launch an imprint of sorts, and a few records came
out under it. The Silicon track on the EP you mentioned below is Heath
Brunner's best, I reckon, and I often play it if I'm spinning booty or
ghetto tech. And I'd say that the Rob Hood track is probably *less* minimal
than a lot of his other track - there's some latin percussion in there
besides the standard 909, and a voice that sounds to me like it's saying
"latté!"...

Brendan

> -----Original Message-----
> From: Jongsma, K.J. [mailto:[EMAIL PROTECTED]
> Sent: 22 April 2002 14:37
> To: '[email protected]'
> Subject: RE: [313] NSC?
> 
> 
> One side is from Rob Hood with a minimal (wow wath a suprise 
> KJ) techno
> track with piano loop. Not one of his best tracks but it 
> still sounds great.
> The b-side is a stunning electro track from Heath 'V-Max' 
> Brunner who used
> to do some of the NSC cuts. 
> 
> Dunno if he is still working at NSC...
> 
> [EMAIL PROTECTED]
> 
> 
> > Was taking another look at the Submerge website and I noticed 
> > the NSC-056 
> > Robert Hood/Silicon record.  Does anyone know anything about 
> > what NSC is or 
> > about this record?  I did listen to the preview and i thought 
> > the electro 
> > track sounded pretty dope (as far as anything compressed into 
> > RealAudio 
> > can!!!)  /dave
> 
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