Let me just throw something out. There's no one way to do anything. If you thionk you can mix house with choppy edits and do it well, then go ahead an experiment. The whole idea of moving forward means breaking the rules. BUT, and this is a big one, you usually need to know the rules to break them.
- Giles D I G I T A S // B O S T O N -- Giles Dickerson Art Director 800 Boylston Street Boston, MA 02199 -- mobile 617 899 9635 office 617 369 8601 > ---------- > From: Super Coffee Beans > Sent: Thursday, May 16, 2002 9:34 PM > To: [email protected] > Subject: Re: [313] Baby Ford / Zip > > here`s my two cents. > after hearing so many local dj`s who play techno like proggy house or > even worse mixing it only in the end, i must say techno is a kind of > music which should be mixed as hell. people like mills,hood,young and > suchr masters at this. trying to mess with some gigolo 80`s stuff will > end in very sad sounds, but i mean techno is made for this kick ass > riggid mix, thats how u should play it and thats how i try to play it. > but other genere likes house and stuff should IMHO mixed long slow mixes > with not so much fader work but more knobs turning. > i heared peter ford play he mixes fine his music is not so bumby ass > like the riggid techno, and he`s selection is huge. i do not like people > do scartch over techno sometimes its too much. > about the pro-tools mix, give any day a bumby hard edge (even with > mistakes) play with the faders and knobs like its hot potato i allways > like it.but REAL live mix throw the damm computer to hell, some things > were ment for humans to be made. in the machine its too good- i hate > this > > have a nice shavuot > Yair > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > --------------------------------------------------------------------- To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
