ask whens a good day to play in michigan and we'll coordinate the BBQ with
said date.  :))

-Joe


----- Original Message -----
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; <[email protected]>
Cc: <[EMAIL PROTECTED]>
Sent: Friday, June 14, 2002 12:44 PM
Subject: RE: [313] Basic Channel


> Now that the most stressful period of the working day is over, I'll add
some
> too...
>
> I'd add a question about whether or not they've ever been approached to do
> film soundtrack work, and, if not, if their approach to their music has
had
> a visual aspect to it; to me, each BC release evokes strong visual images,
> but the sorts of films where that sound would be an appropriate
> accompaniment probably haven't been made yet.
>
> Also, I'd ask whether it was their intention to spawn such a large range
of
> 'copycats' and essentially introduce a new sound into techno and house -
> even fairly commercial house - which would permeate right to the core, or
if
> the impact of the BC releases was greater than they ever expected it to
be.
>
> Was the drive to develop the BC sound borne of a frustration with sounds
> being used in techno at the time, or was it an idea that came from another
> direction? How long did it take to develop, from the first concept of a
> truly three-dimensional, heat-haze shimmering, sound, to the first
> successful execution?
>
> And finally, which would they say was the first track on which a
proto-Basic
> Channel sound was deployed? "Ploy"? "Infinition"? "Domina"?
>
> Cheers,
>
> Brendan
>
> > -----Original Message-----
> > From: Matthew MacQueen [mailto:[EMAIL PROTECTED]
> > Sent: 14 June 2002 17:34
> > To: [EMAIL PROTECTED] org [The Music Institute] (E-mail)
> > Cc: Tom Robbins/Magic Feet
> > Subject: RE: [313] Basic Channel
> >
> >
> > >  I'm interviewing Basic Channel on Monday (!), so does \
> > >  anyone have any suggestions for pertinent questions?
> >
> > Fun! Just off the top of my head, I've always wondered how
> > did they decide that with the final basic channel record it
> > was time to retire the label after Phylps Trak II (BC-09),
> > that it had run it's logical course as "basic channel" ?
> > What factors contributed to their decision ?
> >
> > How did doing Cyrus: Enforcement (001) with the Mills mix
> > unfold?   Did they have the track in mind, and were looking
> > for a remixer?  Were others considered?  Or did Mills help
> > define the sound of 001 early on with them?  Was he in the
> > studio with them at any time or was it all remotely done
> > swapping DATs?  were there other mixes that were done but
> > never released?
> >
> > Did their vision for the label change course during it's run?
> >  Or it was never reeally all that pre-meditated, it just
> > happened organically?  Do they look back and have a favorite release ?
> >
> > Do they still own property in Detroit? (did they ever? or was
> > that a rumour)
> >
> > I know that's a lot but, just some of the things I've always
> > wondered about. Basic Channel is such a great little
> > mirocosim of everything I love about the Belin/Detroit sound trade.
> >
> > Peace,
> > Matt
> >
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> >
>
>
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