Hi Otto,

yes you are right. But still they shouldn't blame it all on the wrong
people.
This scene is already too small to turn it into a "I am more underground
than you" contest.

IMHO they should just continue what they like doing best. And if in a few
months they are being dismissed as "sooo passé" then pity for those losers.

Joost

-----Original Message-----
From: Otto [mailto:[EMAIL PROTECTED] 
Sent: dinsdag 3 september 2002 16:40
To: [email protected]
Subject: Re: [313] another causality


 >Still, I clearly don't know Hotmix et al's reasons.
 >Maybe they just don't want to be part of the Spectacle

The main problem IMO is that 'their' sound has been adopted by people with 
relatively more marketing-skills than musical talent (unfortunately the two 
rarely go together). This makes the sound go into a direction they're not 
happy with.

That would've been fine in itself (after all, everyone is entitled to their 
own taste) as long as they're not getting drawn into that. But now 
everything vaguely related is quickly labeled electroclash, including the 
people who strongly feel that they don't belong there at all.

*That* is the real problem.

It is a problem in particular because once this fad is over, the original 
electro artists will have a much harder time getting their music out there 
because they'll be dismissed quite easily by the media and punters: 'that 
sound is sooooo passe, dahlin'...

Otto
PS This whole situation is nothing new BTW, the same thing happened when 
the harder Detroit techno sounds of Cybersonik, UR and Mills got mutated 
into gabba. Other examples are the UK hardcore - drum 'n bass split or when 
tech-house started to overlap with progressive house (like Circulation 
getting spun by Sasha and Digweed for instance).
PPS Apologies to the LOW-subscribers who saw most of this rant in Dutch 
yesterday on the Lowlands-list already.


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