I have to agree. Success found DJ Hell, not the other way around. I think it's all too easy to turn on DJ/artists when they crossover - especially when they've been consistent. Electroclash came out of Felix Tha Housecat's success (and does anyone really begrudge him that?) and his association with Miss Kittin spolighted her, and it went from there. There's innovative music in pop, and really unoriginal music in the underground, there's no simple equation. Most of the actual makers of techno or electro are far more openminded that the listeners, I find.
> From: Tosh Cooey <[EMAIL PROTECTED]> > Subject: [313] Hell biters... > Date: 15/09/2002 2:18:27 > To: [email protected] > > Man a lot of you are bitter biters. > > Hell built a scene around a sound and many other people liked it. Liked > it enough for it to become big enough for people to whine about. > > Cry-babies. > > Oh yeah, and to everyone who complains that this "scene" isn't about the > music anymore but about drugs and money, well .... duh..... > > This is PARTY music, and guess what happens at a party. If there's no > drinking, drugs, and messy people then it's called an opera. > > Tosh > > -- > Twelve Hundred Group > http://www.1200group.com/ > > --------------------------------------------------------------------- > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > > --------------------------------------------------------------------- To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
