I like this thread.

But - I'd like to say that I think it's poss to take this preference for
'gritty realism' too far as much as the favouring of highly finessed
productions: remember, the main reason producers emphasize the attack on
everything is because they want them to stand out in a very competitive
market for electronic dance music. Plus lo-fi productions are actually very
difficult to handle on a very big system - I'd guess it would be easier in
the mix just to throw on the latest New York drum track and let the worry
stop there, till the next record, than trying to get some old classic,
occupying 1 inch of dirty vinyl, to come off ... (mho)

>-----Original Message-----
>From: Jongsma, K.J. [mailto:[EMAIL PROTECTED]
>Sent: Tuesday, February 04, 2003 1:56 PM
>To: [email protected]
>Subject: RE: (313) Over-production (WAS - Re: (313) Suburban Knight)
>
>
>
>> Why would somebody want do that in the first place? ie mix a
>> crap record
>> with a good record.
>> I prefer to hear a good DJ mix a good record with another
>> good record and
>> make them sound even better.
>> Surely that's the whole point of mixing?
>
>Agreed, not even Rolando could get away with playing Final Frontier, then
>mixing in Hi-Tech Jazz end following that with the brilliant No Limits from
>2 Unlimited
>
>[EMAIL PROTECTED]
>
>
>
>>  a good dj can
>> > mix a Paul
>> > Okenfold record or some pop dance record with an underground
>> > techno record
>> > and make it sound cool.
>>
>> No he can't.... :)
>>
>>
>> [EMAIL PROTECTED]
>>
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