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---------------------- Forwarded by Graham Bergdahl/Logistics/Blyth/EUK on
06/02/2003 09:03 ---------------------------
Graham Bergdahl
06/02/2003 09:03
To: spw <[EMAIL PROTECTED]>
cc:
Subject: Re: (313) production and mastering (Document link: Graham
Bergdahl)
Can anyone share any good Compressor settings? Particulary for Kicks and
B-lines. I use Cubase SX and Waves Comp. I'm also looking for a high end
reverb plug in as I still haven't found anything great. Do Lexicon do
anything?
Threshold?
Ratio?
Make Up?
Attack?
Release?
Regards production and mastering, my opinion is that the artist should be
mixing the track from the very first note, making sure sounds go together
well and EQ's are not fighting from the outset. It's all trial and error
though, and f**king frusting at times.
Bergs.
spw <[EMAIL PROTECTED]> on 06/02/2003 02:02:43
To: <[EMAIL PROTECTED]>
cc: <[email protected]>
Subject: Re: (313) production and mastering
Pro Tools is really no difeerant that usin a hardware sequencer, it's not
going to compose tracks for you.
Most of today's vynil is either from a CD or DAT master Pro Tools is only
going to make your master sound better if your using it properly, buy some
nice analog outbourd gear, if you want something raw and warm record an EMU
SP-12 and a Minimoog into ProTools and buy their Contol 24 mixer with
Focusrite.
If you use a Rompler with cheesy D*gital effects it's going to sound like
an
F*cking rompler.
on 2/5/03 8:18 PM, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote:
> I'm sorry, but I'm not blaming anything on Pro-Tools, it's the people
> using it with no imagination, a different point. When a producer stops
> using his/her brain and lets Pro-Tools take over their sound, then we get
> the situation we have now, with lots of boring tracks - but this is so
> obvious to be almost trivial. When a cool producer makes an amazing
track,
> which is loud and well-produced, then f*ckin A.
>
> Hope I've cleared that up,
> Regards,
> Andrew
