I wouldn't normally dare to try to understand (let alone explain) the
logic applied by a lot of the regulars on there, but I suspect that they
would say that while some parts of the internet are "ghetto" (eg their
forum), other parts aren't (eg the 313 list)... 

> -----Original Message-----
> From: Alex Bates [mailto:[EMAIL PROTECTED]
> Sent: 23 May 2003 16:07
> To: Langsman, Marc; Brendan Nelson; [EMAIL PROTECTED]
> Cc: [email protected]
> Subject: RE: (313) RE: Third Wave DJ was RE: (313) Fw: Dex and FX with
> Kir k Degiorgio
> 
> 
> does that mean the internet is 'ghetto' or not?
> 
> ab
> 
> -----Original Message-----
> From: Langsman, Marc [mailto:[EMAIL PROTECTED]
> Sent: Saturday, May 24, 2003 12:24 AM
> To: 'Brendan Nelson'; [EMAIL PROTECTED]
> Cc: [email protected]
> Subject: RE: (313) RE: Third Wave DJ was RE: (313) Fw: Dex and FX with
> Kir k Degiorgio
> 
> 
> 
> Haha yeah yeah - I mentioned final scratch on the 
> ghettotech.de forum and
> got repeatedly flamed for 'non-ghettoness' :/
> 
> > -----Original Message-----
> > From: Brendan Nelson [mailto:[EMAIL PROTECTED]
> > Sent: Friday, May 23, 2003 3:46 PM
> > To: [EMAIL PROTECTED]
> > Cc: [email protected]
> > Subject: (313) RE: Third Wave DJ was RE: (313) Fw: Dex and FX
> > with Kirk Degiorgio
> >
> >
> > I like the term "third wave dj" actually! :)
> >
> > Lots of recorded ghetto-tech mixes are done in hotmix style,
> > that's true, but it kind of remains that the ghetto-tech
> > scene is probably the most hostile to new techniques and
> > methods for DJing. You can just imagine the chorus of
> > disapproval on the ghettotech.de forum if, god forbid,
> > Godfather was spotted with a laptop hidden behind the decks!
> > But at the same time the overwhelming majority of ghetto-tech
> > mixes are made digitally.
> >
> > When you are doing a high-tech mix, though, you do have to
> > think like a ghetto-tech DJ - what noise can I put in *right
> > here* that will make this a bit better? What can I personally
> > do to keep the listener interested during this rather boring
> > bridge part of a track? Should I just let this whole track
> > play out, or shall I whip out a second copy and cut straight
> > to the good bit at the end?
> >
> > That sort of thing needs to be going through your head all
> > the time if you're using digital technology, I would say. If
> > you find yourself just sitting there with mouse hovering over
> > track title for five minutes, waiting for the tune to play
> > out, you're not really getting into the spirit of things...
> >
> > This thread is a bit on the waffly side, but f*ck it; with
> > everyone going to Movement this weekend, the list would just
> > die on its feet if there weren't a few us prepared to step
> > into the breach and start talking bo**ocks!
> >
> > Brendan
> >
> > > -----Original Message-----
> > > From: robin pinning [mailto:[EMAIL PROTECTED]
> > > Sent: 23 May 2003 15:33
> > > To: Brendan Nelson
> > > Cc: [email protected]
> > > Subject: Third Wave DJ was RE: (313) Fw: Dex and FX with Kirk
> > > Degiorgio
> > >
> > >
> > >
> > > another point:
> > >
> > > the hi-tech dj ("third wave dj"?, have i been reading too
> > > much? :)) has
> > > to approach selection in a similar way to a ghetto-tech dj.
> > using two
> > > copies to do your own edit/effects, using just small
> > snippets of some
> > > tracks juggled over the top of a beat track to create a new
> > > one, that kind
> > > of thing. and of course a lot of recorded ghetto-tech 
> mixes are done
> > > hotmix style.
> > >
> > > i've just realised i'm wittering on too much and a lot of the
> > > US people
> > > are prepping to go to Movement. Lucky B******s! :)
> > >
> > > i'll shut up now
> > >
> > > robin...
> > >
> > >
> > >
> > >
> >
> 
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