You're right - I guess I should re-read that book, I read it several years ago 
now and I've discovered a lot of stuff since then !

Gwendal



> -----Original Message-----
From: robin [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 1:04 PM
To: Cob

> ert, Gwendal
Cc: [email protected]
Subject: Re: (313

> edits




> not necessarily, to pick one example if you look back over detroit 

> history a lot of tracks were created by one person and then re-edited 

> before release by another person. it's how a lot of detroit 

> artists got 

> their break... (it's mentioned in Dan Sicko's Techno Rebels 

> btw, a book 

> i recommend anyone read if they haven't already)...of course this was 

> in the days of tape edits.

> 

> robin...

> 

> 

> > ... sounds like the best answer so far. Bringing a second 

> question : a 

> > re-edit is usually done without the original artist's 

> authorization, 

> > while a remix is "commissioned" by the artist, right ?

> >

> > Gwendal

> >

> >

> >

> >> -----Original Message-----

> > From: Tom Churchill [mailto:[EMAIL PROTECTED]

> > Sent: Wednesday, March 03, 2004 11:42 A

> >

> > M

> > To: Cobert, Gwendal; 313

> > Subject: Re: (313

> >

> >> edits

> >

> >

> >> what is the difference between an "edit" and a "remix" ???

> >

> >>

> >

> >> A re-edit, in the original sense of the word, uses only the final

> >

> >> two-channel (stereo) recording of a song, which is then cut

> >

> >> up, extended,

> >

> >> shortened, reversed, put through effects etc. These days this

> >

> >> would most

> >

> >> likely be done in audio software like Pro Tools, Logic or

> >

> >> Cubase, but in the

> >

> >> old days it would be done by cutting and splicing

> >

> >> quarter-inch reel-to-reel

> >

> >> tape.

> >

> >>

> >

> >> A remix, on the other hand, is generally done by someone

> >

> >> who's been given

> >

> >> access to the original multi-track tape (in the old days) or

> >

> >> individual

> >

> >> sounds, loops, samples, beats etc (today). The remixer can

> >

> >> then use as many

> >

> >> or as few of the original building blocks of the song as 

> they like, in

> >

> >> conjunction with musical elements created themselves, to

> >

> >> create a new track

> >

> >> which uses any number of parts of the original.

> >

> >>

> >

> >> The primary difference being that anyone with a copy of the

> >

> >> record can do

> >

> >> their own 'edit', but to do a proper 'remix' you need the

> >

> >> original producer

> >

> >> to provide you with the song's original 'building blocks' in

> >

> >> isolation.

> >

> >>

> >

> >> Cheers,

> >

> >>

> >

> >> Tom

> >

> >>

> >

> >>

> >

> 

> 

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