you're exactly right -- i'm completely agreed on his stage presence, and I 
thought that particular performance was stunning regardless.  I've heard BMG do 
Ableton sets before and they've been good, but it usually seems like the same 
general formula.  on +31/313 he played a lot of the familiar cuts, but it 
seemed like he was extending things out differently -- and Sal played off this 
*extremely* well.  Hearing favorite Ectomorph cuts like Ritmo Siniestro with a 
sea of reverb-soaked vox line and a tiny bit of live clave over the top felt 
like hearing an entirely new creation.  that was a set where the stage presence 
did not matter in the slightest -- my body and mind were so lost in the moment 
I wasn't even looking at the stage.  and the way he extended out the first few 
bars of Adonis "No Way Back"... genius.  

- jobot



----- Original Message -----
From: robin <[EMAIL PROTECTED]>
Date: Thursday, June 24, 2004 3:58 am
Subject: Re: (313) Laptop performances

> 
> it's interesting but a lot of laptop performers just don't have 
> that 
> flair that the best dj's (and live performers for that matter) have.
> 
> an example of what i'm talking about is BMG's performance on the 
> +31/313 stage at Movement. his music was amazing but you can tell 
> he 
> isn't a dj (which he freely
> admits in interviews). he doesn't have that presence on the 
> stage/behind the 'decks'.
> 
> i've seen loads of djs using turntables that don't have that flair 
> either so i think tarring all laptop performers with the same 
> brush is 
> a little unfair.
> 
> robin...
> 
> 
> 
> On 24 Jun 2004, at 07:27, Simon Hindle wrote:
> 
> > So I've been having a bit of a discussion on a local 
> messageboard about
> > laptop performances.
> >
> > By and large, they're really BORING. It looks like people are 
> checking> their email. Or, if they're bopping along, it looks like 
> they're> checking important email but really need to go to the toilet.
> >
> > What's the solution? Name some laptop performances you've seen that
> > were really good SHOWS. And say why they were. Is it really 
> simply a
> > case of having stellar visuals as well, or is there a whole new 
> > paradigm
> > out there for this type of performance?
> >
> > I liked Kraftwerk's minimal-movement-black-suits-and-plinths affair,
> > but that sorta ties in with their aesthetic, and I heard Aphex 
> Twin did
> > a show where he just lay on the floor and twiddled with the 
> laptop - no
> > effort at all. That appeals to me in a twisted way but is somewhat
> > gimmicky.
> >
> > I personally wonder if laptop performances are more suited to more
> > artistic interpretations - ie having a gig in an office, with 
> extras 
> > sat
> > at desks with PCs as well, and only one of them is the musician. 
> Stuff> like that.
> >
> 
> 

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