I don't know, I think his output is pretty solid, I keep buying his records anyway. You can't expect every record to be an anthem. I quite like the Marionette record anyway, which just recently appeared in Chicago (don't know when it actually came out). Sure, the sound mostly stays within a particular framework, but I can't complain as long as the synth melodies and subtle touches are well done.
I believe that John Tejada puts out even more stuff but I find the quality is always there. I think it's okay to be prolific if you are actually talented and have more than a 12" worth of ideas. ~David ---------- Original Message ------------- Subject: Re: (313) new records Date: Mon, 11 Apr 2005 20:38:29 +0100 From: [EMAIL PROTECTED] To: <[email protected]> ----- Original Message ----- From: "matt kane's brain" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; <[email protected]> Sent: Monday, April 11, 2005 6:25 PM Subject: Re: (313) new records > At 01:23 PM 4/11/2005, [EMAIL PROTECTED] wrote: >>I assume by Mathew Jonson's label you mean Wagon Repair? I came up with >>the theory it means fixing the damage those bandwagon f*ckos like me created. > > That's what I mean. What damage in particular are you talking about? Just that I think there's been a bit of a backlash against some of his productions per the hype of Decompression, etc, probably not aided much by the sheer volume of releases in a short time, and the relative samey-ness of some of them. Tristan
