Sorry Thomas, but I have to totally disagree on this one!

No disrespect - it just seems to me that your tastes seem more on the house 
side of things then on the techno side.  Generally, there are a lot of old 
records (funk/soul/disco) that you and other 313 list members really like that 
I can't for the life of me get into AT ALL (unless there's a really hot synth 
part)!  On the other hand, I'm hearing new stuff constantly that is right up my 
alley, though admittedly I haven't been able to afford new records in three 
months.  

What has made me happy in the last few years is that a lot of 
IDM/glitch/experimental production values have seemed to come into their own in 
the techno world, and have been interpreted in ways that are a little more 
dance friendly.  I don't mind digital production values, especially if they are 
used to create a high level of detail.  However, it seems that there are two 
camps in the 313 world, and one camp is rather opposed to these IDM-style 
sounds infiltrating techno, and sees the new stuff as being a cold imitation of 
the old soulful stuff.

>From my point of view, I really don't think there is any kind of attempt to be 
>purposely "hip", and I love the newer sounds.  It is a natural integration of 
>ideas (IDM/experimental v. techno) that should not really be seperated anyway. 
> However, all the glitchiness does sometimes seem to leave the some of the 
>disco sensibilities behind for something a little more stark and digital 
>sounding.  I don't mind - I'm a Cyborg.  As long as the funk is there - and I 
>don't define funk by analog warmth and production value, or old school type 
>soul, but rather by rhythms that have some character and are off-kilter or 
>polyrhythmic.  Which is really just a natural extension of minimal techno, 
>except that tracks seem to be a little more intricate now thanks to software.  
>And I don't think ANYTHING on vinyl sounds that "clean" when it is played on a 
>turntable and sound system (maybe on CD though).  I actually think that 
>sometimes having clean production and not overdriving everything to sound like 
>#$%! is a GOOD thing, though some dirty tracks do work for me too of course.  
>I know Kent might have some opinion on this...

<currency="cents"> 2 </currency>

~David

From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]>
To: <[email protected]>

i almost never hear new records that i like. and if i do, i rarely
like them enough to actually buy them. theres too much clean
production and hip sounds out there for me right now....

tom 

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