His take was from a UK perspective and hardcore was a very important phase for 
the development of 'dance' music in this country, regardless of whether one 
liked it or not - I did, however, get irked by his continual use of the term 
'ardkore', his emphasis on it as a working class genre and his dismissal of the 
'IDM' of Squarepusher et al as chinstroking middle class whiteboy music. I 
think electronic music is more homogenous than that, but I could see how he 
developed this view and found much of interest in the whole book.

-----Original Message-----
From: Simon Vrebos [mailto:[EMAIL PROTECTED]
Sent: 21 September 2005 21:26
To: Robert Taylor; [email protected]
Subject: (313) re:RE: (313) Simon Reynolds "Rip It Up And Start Again"


>It's his take on post-punk - PIL, Gang Of Four, Devo, Talking Heads etc - much 
>better than Energy Flash, less pretentious and much more thoughtful.
>Mind you, I thought Reynolds was spot on about drugs and hardcore
>

I wouldn't say 'spot on'. He had a view and that view was open for discussion. 
In the beginning of the book his remarks on drugs made sense, but were more 
prominent  then needed. But near the end it became too much. All that talk 
about hardcore and whatever came after... it became boring... and made me stop 
reading it. There are very good parts in the book and he made sense most of the 
time, but it's just too long and too much.
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