A very smart move by KMS.  Lay it on the line and insist that
things must go forward on a businesslike and positive basis.

I bought the top-price "VIP" package and other than going
to the office in Cobo to pick up the packet (including a very
nice record bag that I use all the time) never went backstage
again.  That wasn't the point.  The point was to support the
home team.  If it can be done, Kevin Saunderson will figure
out how to do it, and do it right.

(even if I'm not thrilled either with his DJing these days :)

fh

------ mail forwarded, original message follows ------

From: [EMAIL PROTECTED] <Fuse-in Detroit>
Subject: [review] Fuse-In 2006
Date: 17 Feb 2006 05:24:55 -0500

Ladies and Gentleman;

I know many of you want to know what’s going on with the festival
for 2006. I cannot tell you for sure, but I have been told that
the City of Detroit is in negotiation right now and are only
considering companies that can pay for the festival expenses out
right. Which I believe is a wise decision. This festival needs
financial stability. Unfortunately with our greatest efforts, we
could not achieve what was necessary to continue to produce the
festival in 2006. Here are some of the facts why, questions and
answers:

Q: How many people attended the festival this year?

A: We sold 41,000 tickets this year. That translates to 37,000 1
day tickets and 4,000 Multi day tickets.

Q: Are the numbers down from previous years?

A: Yes, but just slightly. Comparing beer revenues from 2004 to
2005 suggests we really only had approximately 50,000 people in
2004. This does represent a small decline.

Q: So was the festival successful? It sounds like you a lot less
people than in the past.

A: Considering the planning window we had put this thing
together, we think the festival was incredibly successful. In
addition, our numbers this year, and the fact that Hart Plaza
capacity is less than previously thought suggest that our earlier
festivals did not have 1,000,000 people in attendance as
previously reported.

Q: Did charging for the festival have a big impact?

A: We surveyed festival goers and they told us that they thought
ticket prices were extremely reasonable. The smaller than
expected ticket sales were caused partly by inaccurate counts
from previous festivals and partly from our own overly optimistic
goals for this year’s festival. Finally, the biggest factor in
lower ticket totals was our inability promote ,because we were
only approved for the permit 9 days before the event. This made
advance ticket sales and fundraising nearly impossible, so we
couldn’t do follow through on our advance marketing program. The
other sign that our issue was promotion was the fact that in
previous years there were a much larger number of out of town
guests. To be successful, this festival needs to be promoted
starting in November.

Q: How will you pay the invoices of the vendors? Many say they
haven’t been paid.

A: Yes, there are several vendors that MusicLogical still owes
money. My intention was to bring a partner with some financial
stability and resources in to partner up with MusicLogical and
relieve the debts from the 2005 Fuse-In festival, but at this
point we have not been able to achieve that.

Q: Are you saying you lost money?

A: Yes, because of lack of promotion time on the festival, the
festival sold less tickets generated less revenue than we would
have hoped. The costs were tight and we had a very good handle on
the operational aspects of this event. This was not about our
operation of the event – it was about not having enough time to
properly market the event and draw the crowds that still want to
hear our music. I believe people would be surprised at how
tightly this festival was run and how organized the entire effort
really was. If we had 10,000 more foreign visitors, not only
would we have broken even, but the city of Detroit would have
received that economic spillover as well.

Q: Can the festival have financial success?

A: Yes, absolutely. If it is run as well as we ran it, and if it
was started 6 months earlier (assuming the weather was positive)
it would absolutely make money, and be able to generate cash that
the City could use to help rebuild Hart Plaza for other
festivals.

This is too great a festival to keep down. If the city would
allow enough time to promote it by awarding the festival permit
months in advance instead of days in advance, this festival could
continue to bring music and dollars downtown for years to come.
As an ambassador of our music (Techno) and our city (Detroit), I
will continue to do whatever I can to spread the word throughout
the world.

Yours Truly

Kevin Saunderson

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