On 2/17/06, Sakari Karipuro <[EMAIL PROTECTED]> wrote: > No, i have not.
well maybe you should check it out. it might give you an idea why it sounds like it does! > It's all about "ducking" the bassline away from the kick, with sidechain > compressor. only if you want that sound. thats a different kind of thing entirely. > or being really picky about the frequencies and using eq and > multiband. uh, well thats what he did, didnt he? he eq'ed out the parts of the kick that clashed with the bass and there you go. i dont think you can find fault with any of carl's mixdowns ever, this is not one either. > Jaguar, aguila etc copycats already worn this style out years ago. It's > not very innovative, it's like you know you wait the track to build up > in similar manner like ~11 years ago you expected to hear the > snare-roll. it's like waiting the trance-track to peak up after the > break with supersaw. It's sort of novelty production trick, like the > snare-roll, supersaw, dub-style-delay, 3/4 rhythms that have been used > too much, perhaps occasionally just building a track around the trick > forgetting all about basics, therefor making quite inferior track. And > I think this is what happened with this track. i really dont want to start a flame war so im not going to reply anymore. but i think youre dumb. good luck with life. love, tom
