I saw the re-edited version on Sunday, and the director's q+a session afterwards. I didn't see the film last year, when the response from everyone I know was overwhelmingly negative, but I didn't find it a bad film at all. It did have a very rough and ready feel (bad lighting, lots of shaky camera work), but the flow worked quite well (presumably the result of the re-edit). It's defnitely true that it never went into much depth though, and did concentrate almost entirely on the Belleville 3 (plus quite a bit with Eddie Fowlkes). The director was challenged on this afterwards, asked why there was little to no footage with the likes of C2 etc, and his response was that he wanted to highlight the roots of the sound, and that to expand on the second and third generations would take too much time and allow less depth on the subject. I feel it would have been better to include more of the later artists though, particularly since they gave a lot of screen time to Spectral and Plus 8 but almost none to other local labels. Which brings me onto my one real major criticism of the film - I thought the music chosen was really weak. Apart from the obvious backdrops of No Ufo's, Strings of Life and Big Fun, a lot of the scoring was really dull, and all the club footage seemed to be focusing on straight, loopy material, with very little variety. A shame for a project which should be so clearly music led.

Overall, it's a nice enough work with plenty of amusing footage, but I don't think it'll hold any surprises for those already into this music (the best new thing I learned from it is that Belleville is the home of the reknowned Strawberry Festival ;-), and perhaps it lacks that extra passion needed to turn new people onto this sound...

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