ahem.. ahem.
most of the melodies that many of us during that time were created in
like an hour or so.. :)
On the Gustav Schumann [Joe's grandfather's name] release he actually
told me that he didn't sequence any notes at all, instead just using the
Random / Sample & Hold LFO to modulate the oscillator of the SH-101, so
that were would be no repeating melody at all. how's that for a lack of
melody??
http://www.discogs.com/release/83937
I also later had to explain what an LFO was. :)
moi:
http://www.discogs.com/release/30304
[this ep was done in like a week or so]
+odd
--
Tristan Watkins wrote:
----- Original Message ----- From: "kent williams" <[EMAIL PROTECTED]>
To: "list 313" <[email protected]>
Sent: Thursday, July 20, 2006 4:04 PM
Subject: Re: (313) myspace (is) 313 (OT)/selling records
Hyperactive has always been 'techno' but not Detroit techno.
OK, yeah, but the Contact stuff had more in common with DBX than it did
with the rest of Detroit techno. The newer stuff sounds like a hybrid of
the two to me. Let's face it, the melodies in the older stuff weren't
particularly developed.
Tristan
=======
[EMAIL PROTECTED]
http://www.phonopsia.co.uk
--
Todd Sines
director
+ SCALE : http://www.scale.gs/
+1.646.330.4873 studio
195 Chrystie St. #403A, NY, NY 10002
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connecting the space between + within.
