ok, i'll bite. 

i totally love non-four-on-the-floor techno. per MEK's comments, it's what i 
love about the more stripped down side of brokenbeat. 

what are folks' favorite records in this vein?

off the top of my head, there's Si Begg's Opus EP (Tresor) and some of Inigo 
Kennedy's gear like (I've bought a lot of his 4/4 bangers because the inside B 
track has some weird off-kilter shxt, like Pumping Numbers on the The Bigger 
Picture). Archetype's Glyph series was cool, and of course, there's the UR 
electrofunk and techno-latin-swing styles...

what else?


----- Original Message ----
From: pauley <[EMAIL PROTECTED]>
To: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]>; [email protected]
Sent: Tuesday, January 9, 2007 5:48:47 PM
Subject: RE: (313) What's happened to rhythms?

Isn't the point that at the moment there's a lot of minimal releases that
sound like a lot of other minimal releases? And of course if you're not
super into minimal then the 'subtle nuances' that differentiate each minimal
release are kind of evasive...

I liked that quote from that berlin/party dvd "they'll dance if you bang a
spoon on a pan" or something along those lines...it sort of fits with what
MEK finds unfathomable about this genre... 

-----Original Message-----
From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] 
Sent: Monday, January 08, 2007 6:48 PM
To: [email protected]
Subject: Re: (313) What's happened to rhythms?

On 1/8/07, [EMAIL PROTECTED]
<[EMAIL PROTECTED]> wrote:

> With the emphasis on that kick and hihat it's difficult for my ear to 
> not focus on that.  I know with minimal stuff there's tons of other 
> things going on but eventually, if things don't change up, that "boom 
> tsk" starts to get magnified until I'm ready to puke.  Same goes with 
> any techno that sits on bang-bang-bang all night.  Yawn.  There's so 
> much of that sort of techno out as well.  Too much sitting in one 
> place.  Maybe it's just the instruments assigned to the patterns.  
> Imagine a drummer in a band that just played the same beat out on a 
> kick, a snare, and a hi-hat.  I thought the funk was in the rhythm?

i like minimal straight hats and kicks as much as the next man, but to me
theyre most effective when mixed up with other beats and rhythms. a minimal
acid cut sounds good all the time, but it REALLY sounds good when youre
mixing it into some weird electro or disco cut. too few people are out there
switching up the rhythms. detroit deejays are usually good for that kind of
thing though, derrick may, shake, and theo parrish are extremely notable
cats who will play all sorts of different rhythms and make the "boring"
techno beat sound so good because of the juxtaposition.

tom

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