well, the compilations mastered were then loaded in and checked at the
pressing plant before going to GMCD. but yeah, that's basically it.
this wasn't the case for the Fabric mix.
+odd
--
Martin Dust wrote:
On 31 Jan 2007, at 16:42, Todd Sines wrote:
I use unstretched WAVs + AIFs, so it never gets run through Live's
Warping engine. It's basically working as a VST / AU wrapper. I could
be doing it with Peak or Sound Forge but I don't. A lot easier to keep
track of 20 songs on a compilation CD by copying effects settings to
each track, isolating and rendering that track separately for mastering.
I've had enough history with audio [20 years] to know whether or not
something is getting mangled by Live, and so far.. it hasn't.
Otherwise I'd tell Robert. I will raise the issue with him so that
they are aware of it... if they already don't know [doubt that].
Listen to the Death in Vegas Fabric mix and tell me if it sounds like
it was run out of Live. Everything was recorded via a Presonus
Firestation and back. Same with my Frankie EP.. final output was from
Live [after importing recorded tracks from Logic / outboard gear].
When you say master, do you mean you use the file rendered out of Live
to make a PMCD to cut the glass master from?
m
--
Todd Sines
director
+ SCALE : http://www.scale.gs/
+1.646.330.4873 studio
195 Chrystie St. #403A, NY, NY 10002
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