My friend Kirk who has the Record Collector here
(recordcollectorinc.com) has seen the bottom completely drop out of
dance vinyl sales.   This corresponds with several local DJs who used
to buy a couple hundred dollars a month in vinyl from him switching to
Serrato or Final Scratch or Tractor Scratch.

I haven't been buying vinyl like I used to either.  Mostly because of
losing my corporate job in 2002 and moving to the University for a 1/3
cut in pay. Also because I don't get asked to spin hardly at all.

The attraction of using a digital means to play music is undeniable.
While I love the tactile aspects of playing vinyl, having 500 tracks
available in Ableton Live ready to drop without beatmatching changes
how I think about playing tracks.  Partly because my mechanical DJing
skills would sometimes get in the way of really feeling what I mix --
I make no claim to great skills on the decks.  But also because I can
try more combinations out through the headphones before choosing a
track, and having some visual feedback on track structure.

And shopping for vinyl has always been fraught with spotty
distribution and ordering -- you buy what you can find, and many
things you might want are unobtainable.  Stores like bleep.com and
warp.com aren't constrained by the physical availability of PVC
biscuits -- if they have a deal to sell downloads, you can have it on
your computer in minutes.  And even a modest laptop can hold many
crates of tracks, give you the option of doing your own edits, can be
backed up to DVDR, and is instantly searchable.

I will continue to buy vinyl and CD when that's the only available
format. But all you label guys take note: if I'm bored at work and you
post a link to your awesome new tracks, with sound samples, I am
powerless to resist the lure of the instant buy and download, and I
suspect I'm not alone!

Note also, I have a large hard drive filled with 'unofficial'
downloads, but I almost never use tracks from it, because I want to
support the artists.  If it's unobtainable in any other medium, or if
I own the record and can't put my hands on it I will, but it's amazing
how little of the music you get for free means to you compared to the
things you seek out and buy.

On 6/26/07, robin <[EMAIL PROTECTED]> wrote:
The younger generation are definitely in love with digital downloads.
It must be that the kids coming through are using CDs and laptops.

I guess it's a natural progression. I mean it's easier to shove this
stuff on your iPod for listeing on the train but I still prefer vinyl
(even after recording in, most digital mastering is a bit heavy
handed on the compressor).

Anyway, I digress. That Redshape on Delsin is ace.

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