The point I was trying to make is that not wether Jaun or Oakenfold being one dj better than the other, it's the fact that Oakenfold speaks to more people with his music right now, even if there is some historical arguement against that he's not as pioneering, who gives a fuck? I don't like the anit-black references he's putting out there, when it's obvious he can't milk his DETROIT stauts much longer, that the hype is dying down, so he has to pull the RACE CARD. I'm tired of people who aren't the supersatr forever reverting back to a time that doesn't exist here anymore in the US. Maybe you can find racism elswhere, but it's certainly not in electronic music, unless, I suppose you work for UR, which is anti anything not black. The racsim thing is an attack on the culture on a whole, because people aren't trying to be part of their inner clique. If you aren't part of their marketing machine in Detroit, you are excluded. That early form of techno is not what you hear in the clubs, the parties, or anywhere here. Yet they still try to monopolize the spotlight. What was the DEMF? It wasn't representative of Detroit. It was a planet e, KMS, metroplex promo package. And if you think I'm wrong, you aren't in touch enough in the Detroit scene.
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