Haven't read it - what about it? "Michael Kuszynski" <[EMAIL PROTECTED]> wrote on 11/09/2008 09:20:22 PM:
> How about that book "Unlocking the Groove"? > > On Sun, Nov 9, 2008 at 4:31 PM, <[EMAIL PROTECTED]> wrote: > > I have to agree with you. The forward thinking "innovation" that was > > present in techno/house at their beginnings has moved on - it doesn't exist > > in the music that is sticking to the original blueprint. > > What is sort of funny in all of this, for me, is now I'm listening and > > buying mostly 60s & 70s funk, jazz-funk, soul, etc. and I find more of that > > urgency and immediacy in music from 30+ years ago. > > Most techno from the last three or so years leaves me cold. There's a lot > > of "let's do another Basic Channel/Maurizo tune" going on... > > > > MEK > > > > [EMAIL PROTECTED] wrote on 11/07/2008 09:55:53 PM: > > > >> Most genre's do not last very long before becoming ec=xtinct. I mean > > disco > >> only lasted 10-15 years at best. House and techno have been around over > >> twenty years. whats left to say? > >> I can't remember the last time i dj'd and only played house and techno. > >> hasn't happend in 4-5 years maybe. > >> A > >> > >> > >> > >> On Sat, November 8, 2008 2:40 am, /0 wrote: > >> > techno is dead. > >> > ----- Original Message ----- > >> > From: "Denise Dalphond" <[EMAIL PROTECTED]> > >> > To: <[EMAIL PROTECTED]> > >> > Cc: "313" <[email protected]> > >> > Sent: Friday, November 07, 2008 4:29 PM > >> > Subject: Re: (313) Waxpoetics vs In The Basement magazines > >> > > >> > > >> >> Ethnomusicology!! > >> >> > >> >> I think a full on, comprehensive article about major well known > >> >> Detroit artists and lots of the lesser known artists from the 1970s to > >> >> the present would be great to see - I know, crazy high expectations. > >> >> > >> >> Maybe that's why I'm writing my dissertation on this... > >> >> > >> >> Denise > >> >> > >> >> On Fri, Nov 7, 2008 at 3:49 PM, " <[EMAIL PROTECTED]> wrote: > >> >>> I totally have been wanting to see or write myself an article that > >> >>> isnt a summary of whats out there, thats got new interviews with key > >> >>> players of the early 313, and that almost looks at it from an > >> >>> ethnomusiclogical perspective as well as one that goes through > >> >>> records, records broken by mojo, radio shows, and the like.. > >> >>> The glaring omission of a realdeal article about 313 has much in my > >> >>> opinion to do with the fact that its still undercover...i mean, a 313 > >> >>> dj will get booked in nyc and i dont see any of the people from the > >> >>> other techno parties there. also, many of the people who read > >> >>> waxpoetics intently for the other kinds of articles, at least in nyc, > >> >>> partially think that those early 313 names play mostly ibiza stuff, > >> >>> imho, even if they have, you know, c2 remix x or dmay or cybotron > >> >>> record y. > >> >>> and the vast majority of those people havent seen any of the first > >> >>> wave 313ers kill it. maybe i'm off, but i dont think so. > >> >>> > >> >>> Alex > >> >>> > >> >>> > >> >> > >> >> > >> >> > >> >> -- > >> >> Denise Dalphond > >> >> Ph.D. Candidate > >> >> Department of Folklore & Ethnomusicology > >> >> Indiana University > >> >> www.denisedjsdetroit.blogspot.com > >> >> > >> > > >> > >> > >> > > > > > > > > -- > --- > Michael Kuszynski > [EMAIL PROTECTED] > [EMAIL PROTECTED] > http://www.planerecordings.com > New York, NY
