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seemed when playing in public. But while they were in England, in lodgings in Chelsea, which was then open country, Leopold Mozart was very ill for a time, so the could not practise, and for awhile were obliged to run wild, and it would have been hard to imagine that the bright little German girl and the pretty boy, busy making houses and grottos and arbours out of stones and earth and leaves, at the rear of their lodgings, were the infant prodigies of the concert stage. But even then, while he could

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  not use the harpsichord, little Wolfgang was composing, and when tired of outofdoor sports would sit down, with his sister beside him and work on a symphony for the orchestra, and it was thus that his earliest symphonies were composed, which were all marked by real artistic form and feeling. The chief advantage of these compositions, however, was that Wolfgang kept in practise, and was able to announce that at his next concerts all the instrumental numbers would be his own compositions, which,








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