Laurie Griffiths writes:
|  OK - I'm being thick.  (Being drunk accounts for a little, but I didn't
|  understand it when i was sober either!
|  John quoted these examples and I either don't understand them
|  or I don't recognise them.  Please help.
|  
|  >  K:^G          Just a ^G as the key signature, no tonic given.
|  No problem
|  
|  >  K:_f_B_e      Balkan and Middle-Eastern musicians will recognize this
|  So this has all Es Bs and Fs flatted.  I've seen B flat, E flat and F SHARP
|  which is and altered Dorian (tonic is C) or Phrygian (tonic is D) scale
|  which is fairly common in the Balkan area (I'm sort of including Israel and
|  maybe Morocco in that - please don't shoot me).
|  ...

Yeah; I guess I should have done a bit more proofreading.  Dunno  how
those slipped by.  You're right, of course; the key signatures should
be (maybe I'll get it right this time):

   K:G           G major, as usual.
   K:^G          Just a ^G as the key signature, no tonic given.
   K:E^G         Just a ^G as the key signature, tonic is E.
   K:^f_B_e      Balkan and Middle-Eastern musicians will recognize this
   K:D^f_B_e     D hejaz/freygish scale
   K:C^f_B_e     C misheberach scale.
   K:Dmaj_e_B    D zengule scale
   K:Dphr^f^c    D zengule scale
   K:D^f^c_e_B   D zengule scale
   K:Amix=g      Paranoid A mixolydian, with explicit G natural.

These do have a variety of names in different languages, of
course, of which I remember only a few.  Another I'm tempted
to add is:  

   K:G^f_B_e     G harmonic minor scale.

That oughta confuse the classical crowd! I  actually  used  this,  or
rather the equivalent K:Gm^F, in a recent transcription. The tune was
mostly in D hejaz, but started off in G minor. So I thought, what the
hell,  I'll  label it with its initial tonic, but in a way that gives
the proper hejaz keysig.  Not that anyone can tell by looking at  the
printed music.  I suppose it would qualify as "music geek humor".

ABC does subtly encourage you to label a tune with its  initial  key,
even  if it changes key and is mostly in a second key.  In this case,
there's the interesting subtlety that both keys use the same scale. I
have  been known to use a new K:  line when there's an enharmonic key
change, though I suppose doing this might puzzle a lot of people.

(I have heard a middle-eastern scale in which _F would be reasonable.
With  a  tonic  of  D, the scale starts D _E _F G A ....  But I don't
recall what that scale is called.)

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