John Chambers a skrivas:
        [snip]
> Several people have mentioned the one real problem with this:   There
> is  a  lot of abc out there that simply gets the tonic wrong, because
> the transcriber doesn't understand keys. This is worse than having no
> tonic at all. The main use of a tonic is for lookups, and it would be
> better to have nothing there than to have an incorrect tonic.

I don't agree. Look at the J.S. Bach toccata in D mol "dorian": the key
signature is C (or Am, or Dm dorian), but almost all B's are flat.

> Making K:<accidentals> by itself legal would  simplify  the  work  of
> people  just  trying to transcribe music and preserve the information
> on the printed page. Staff notation gives only the signature, not the
> key,  so  requiring  the  tonic  means  asking the transcriber to add
> information that wasn't there.  Some people can't get this right.

I don't agree yet. As an organ player, I often change the chords of
a song while playing it as a whole or only some part of it, and also,
I may feel a better harmony from time to time. Sure it is not what the
original composer wrote, but it gives something new in the celebrations!

> Personally, I'm a bit annoyed by this, too.  Tonic+mode was  a  minor
> improvement of abc over staff notation. But experience does show that
> a fair number of musicians can't get it right.  I've been amused  and
> at times annoyed by incorrect K:  lines that merely get the signature
> right.  Stating the tonic should be encouraged, but I don't think  it
> should be required.
        [snip]

OK

-- 
Ken ar c'henta� |             ** Breizh ha Linux atav! **
                |               http://moinejf.free.fr/
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