Jack Campin <[EMAIL PROTECTED]> writes:

> I think it would be better to adopt one font for the symbols (music
> encoded in ABC doesn't need a great number of them) and let users
> assign other fonts to specific roles in the score themselves (title
> font, composer font, text annotation font...).  A user who is trying
> to embed scores generated by your software into other documents, or
> match an existing "house style" for publication, will need the ability
> to control these.

Definitely.

> If you must make a choice or set a default...
> 
> My favourite variable-width serif text font is Palatino.  I arrived at
> that choice by experiment: my vision is not particularly good, has been
> deteriorating for years, and this was during a bad patch.  I printed a
> pageful of the same text at the same size in every font I could find,
> seeing which one was readable from the greatest distance.  Palatino
> won by a big margin, with Computer Modern far at the bottom by an even
> bigger one.

I rather like Palatino too. The problem with Computer Modern is that to
look good it requires printing at a really high resolution (Knuth's
books are typeset on a phototypesetter that does something like 4333dpi,
and the 600dpi that current laser printers can manage are definitely not
enough), so while it is in many ways a very good design the output
devices that the likes of us are likely to have around won't really be
able to do it proper justice.

There is a free Palatino lookalike available with Ghostscript.

> I haven't done the same experiment as thoroughly with other kinds of
> font, but get the impression Gill Sans would beat any other sans-serif
> proportional font at the same test.  I generally use Courier for fixed-
> width but I'm sure there must be something better out there.

Gill Sans is another one that I like. If you go with Palatino a good
sans-serif font to use with it is Optima, also by Hermann Zapf (but I
don't think a free version is available anywhere). You can get a CD-ROM
from Bitstream that has something like 500 fonts at a very reasonable
price; the fonts are not great but they are certainly more workable than
the usual �1000 FREE FONTS� offerings that you get from jumble sales,
and that includes fairly nice versions of Palatino, Gill Sans and
Optima.

For fixed width, Courier is about as bad a font as there can conceivably
be. Knuth's Computer Modern Typewriter is not at all bad (and it even
comes in a sane encoding, compared to the rest of CM). Recent
distributions of X11 contain a mostly-free set of fonts by B&H called
�Lucidux� which includes a rather nice monospaced variety.

Anselm
-- 
Anselm Lingnau .......................................... [EMAIL PROTECTED]
Host:  What a parasite lives in or on.  Your programs have this relationship to
the computer.               -- Larry Wall & Randal Schwartz, *Programming Perl*

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