Laurie writes:
| The process is what is properly called "Anarchy" which means there are no
| rulers.
|
| Actually there are rules, probably even some written ones, definitely some
| unwritten, probably some written but wrong, but there are no rulers and no
| police with any power.  This has many consequences.  I suggest we all just
| learn to live with them because that's the way it appears to be.  That's the
| Internet.

Good summary.  But I'd observe that this describes music notation  in
general.  Part of our problem is that abc has obvious reasons to stay
connected to traditional  staff  notation.   But  that  notation  has
zillions  of variants, at least one for every distinct musical style.
In many of those styles, there are good reasons for the variants. The
people  who  play a style tend to see their particular music notation
as standard, and everyone else's as variant.

Where the Internet really comes in is that it's a  single  world-wide
communication system. With music notation on paper, it's easy to have
a small clique that only exchange music with each other.  Specialized
notation  doesn't  matter much, because few people outside the clique
will usually see it.  With abc  on  the  net,  everything  is  easily
available  to anyone with a browser and a URL for a search site.  The
variations in music notation are highly visible. You can fetch a tune
from  someone, not know their crowd's favorite variations, and end up
playing something very different from what was intended.

It's pretty obvious that abc has inherited the musical cliqueishness.
This  is the source of much of the discussion of extensions.  Chris's
original abc was consciously designed for folk music of  the  British
Isles. Nothing wrong with that, of course; it had to start somewhere.
But that's a specialized musical style that  needs  some  things  and
doesn't  need others.  Thus the question about 3rd and later endings.
If you have books of British Isles folk tunes, you'll  search  for  a
long  time  before you find a 3rd ending.  But just wander across the
North Sea to Scandinavia, and you'll see 3rd and 4th endings in every
3rd  or 4th tune.  Similarly with the other extensions that have been
discussed here.

We will presumably continue to be as anarchical as any  other  motley
collection  of  musicians.  We have little choice but to live with it
and adapt. The abc notation is just too useful, and it will be picked
up by other musical styles. Those musicians will complain about abc's
limitations.  Some of them will be programmers, and they'll  fix  the
problems.   If we're nice to them, they'll share their fixes with us,
and we'll have a more powerful notation.  If we're not nice,  they'll
go  off  and  fix  their problems anyway, but won't talk to us.  It's
pretty obvious which is the better situation.

One choice we obviously don't have is to restrict abc to just  things
that  are needed in British Isles folk music.  That horse has already
left the barn and is happily gallopping across the steppes ...

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