Jack Campin comments:
|
| Macs don't use ISO-8859 as their native character set and don't claim
| to, so it doesn't matter what the standard says; there is nothing in
| the ABC spec that gives 8859 any special status, so it's irrelevant.
| (I think the Mac character set is older).  The copyright sign in most
| Mac fonts is hex A9, decimal 169.
|
| The next generation of Macs will use Unicode, which I do not understand
| in the least and don't intend to until I have to.

Probably a practical attitude.  And if the Unicode partisans  are  at
all accurate, users generally shouldn't have to worry about it.  It's
a big headache for programmers, though, since they'll have  to  learn
to deal with unicode text.  And it's not as straightforward as people
would have you believe, especially since it's  yet  another  case  of
"The  nice  thing  about standards is that you have so many to choose
from." Unicode is this family of character sets ...

| abc2ps presumably runs on EBCDIC machines too.  What does \251 give you
| on those?

No idea.  But there will probably never be any more of those,  and  I
don't expect I'll have to deal with them in any musical context.  Can
you imagine trying to do  something  with  computerized  music  on  a
mainframe?  (Shudder...)

| > (And what I'd be tempted to do is implement the html symbols for such
| > things, as one small step towards MusicXML.)
|
| That sounds like a better idea, but still, if you want to make sure
| the copyright info is included in the comment fields of a generated
| sound file, how could you arrange it without having a special header
| field?  It's a nasty heuristic problem to figure out what might be
| meant by a text field with an "©" somewhere in the middle of it,
| where's the terminator?

There's always the word "Copyright", which despite being English  has
legal import pretty much everywhere. It's a few more bytes, but still
usable.

One problem with the %%copyright or other  special  header  lines  is
that  it  leads  to  the  same  problem  that  you  see with a lot of
published music.  It tells you that some sort of copyright  claim  is
being made, but it doesn't tell you what.  For example, there are all
those copyright notices on the bottom of pages of 200-year-old  music
that obviously can't be copyrighted under any laws.

What is meant, of course, is that the specific hard-copy  edition  is
covered by copyright, although the music itself may not be.  But many
publishers don't like to tell you this; they  want  you  to  pay  for
"copies" even if you aren't really making a copy. So they make such a
vague claim that you don't know what is covered, hoping that they can
sucker a lot of people into paying for the right to use music that is
actually public domain.

This is the main advantage of that little circle-c in a C or Z  line.
In  the  C  line, it says that the composition itself is copyright by
the composer; in the Z line, it says that the transcription (but  not
the music) is copyright by the transcriber. A copyright symbol on a B
or D line similarly  tells  you  who  owns  rights  to  the  book  or
recording, although they may not own the tune itself.

A good copyright notice will  tell  the  reader  what  the  copyright
covers,  preferably with minimum verbiage.  This is probably why some
people like to use \251.  It's only 4 chars, and can be put into  the
text in a way that says what copyright claim is being made.

But it is making an assumption of an ISO-standard character set,  and
there  are  still  computer systems that don't use those.  There's no
good solution to this, other than pressing for standards.

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